| Czajkowski Piotr |
188 |
Koncert skrzypcowy D-dur, |
op. 35 |
00:10:28 |
Chung Kyung Wha – skrzypce |
Orchestre Symphonique de Montreal – |
– Dutoit Charles |
| Czajkowski Piotr |
188 |
Koncert fortepianowy nr 2 G-dur |
op. 44 |
00:24:40 |
Postnikova Victoria – fortepian |
Wiener Symphoniker – |
– Rozhdestvensky Gennadi |
| Czajkowski Piotr |
188 |
Koncert fortepianowy nr 2 G-dur |
op. 44 |
00:16:58 |
Postnikova Victoria – fortepian |
Wiener Symphoniker – |
– Rozhdestvensky Gennadi |
| Czajkowski Piotr |
188 |
Koncert fortepianowy nr 2 G-dur |
op. 44 |
00:08:08 |
Postnikova Victoria – fortepian |
Wiener Symphoniker – |
– Rozhdestvensky Gennadi |
| Czajkowski Piotr |
188 |
Koncert fortepianowy |
nr 3 Es-dur, op. 75 |
00:18:14 |
Postnikova Victoria – fortepian |
Wiener Symphoniker – |
– Rozhdestvensky Gennadi |
| Czajkowski Piotr |
189 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:07:03 |
Czernecka Ida – fortepian |
London Festival Orchestra – |
– Siegel Lavrence |
| Czajkowski Piotr |
189 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:06:58 |
Czernecka Ida – fortepian |
London Festival Orchestra – |
– Siegel Lavrence |
| Czajkowski Piotr |
189 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:01:54 |
Suddeutsche Philharmonie – |
– Zanotelli Hans |
|
| Czajkowski Piotr |
189 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:03:43 |
Suddeutsche Philharmonie – |
– Zanotelli Hans |
|
| Czajkowski Piotr |
189 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:03:56 |
Suddeutsche Philharmonie – |
– Zanotelli Hans |
|
| Czajkowski Piotr |
189 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:04:22 |
Suddeutsche Philharmonie – |
– Zanotelli Hans |
|
| Czajkowski Piotr |
189 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:01:35 |
Suddeutsche Philharmonie – |
– Zanotelli Hans |
|
| Czajkowski Piotr |
189 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:05:39 |
Suddeutsche Philharmonie – |
– Zanotelli Hans |
|
| Czajkowski Piotr |
189 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:03:10 |
Suddeutsche Philharmonie – |
– Zanotelli Hans |
|
| Czajkowski Piotr |
189 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:20:11 |
Czernecka Ida – fortepian |
London Festival Orchestra – |
– Siegel Lavrence |
| Czajkowski Piotr |
190 |
Uwertura 1812, |
op. 49 |
00:15:16 |
Royal Concertgebouw Orchestra – |
– Markevitch Igor |
|
| Czajkowski Piotr |
190 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:07:02 |
Haas Werner – fortepian |
Orchestre National de L’Opera |
de Monte Carlo – Inbal Eliahu |
| Czajkowski Piotr |
190 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:06:30 |
Haas Werner – fortepian |
Orchestre National de L’Opera |
de Monte Carlo – Inbal Eliahu |
| Czajkowski Piotr |
190 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:09:38 |
London Symphony Orchestra – |
– Stokowski Leopold |
|
| Czajkowski Piotr |
190 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:03:47 |
London Symphony Orchestra – |
– Stokowski Leopold |
|
| Czajkowski Piotr |
190 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:07:08 |
London Symphony Orchestra – |
– Stokowski Leopold |
|
| Czajkowski Piotr |
190 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:07:15 |
London Symphony Orchestra – |
– Stokowski Leopold |
|
| Czajkowski Piotr |
190 |
Kaprys włoski, |
op. 45 |
00:14:20 |
London Philharmonic Orchestra – |
– Stokowski Leopold |
|
| Czajkowski Piotr |
190 |
Walc-scherzo, |
op. 34 |
00:06:32 |
London Symphony Orchestra – |
– Slatkin Leonard |
|
| Czajkowski Piotr |
190 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:06:34 |
London Philharmonic Orchestra – |
– Stokowski Leopold |
|
| Czajkowski Piotr |
190 |
Jezioro Łabędzie, |
op. 20 |
00:06:36 |
London Symphony Orchestra – |
– Monteux Pierre |
|
| Czajkowski Piotr |
190 |
Koncert skrzypcowy D-dur, |
op. 35 |
00:09:40 |
Szeryng Henryk – skrzypce |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
| Czajkowski Piotr |
190 |
Koncert skrzypcowy D-dur, |
op. 35 |
00:18:45 |
Szeryng Henryk – skrzypce |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
| Czajkowski Piotr |
190 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:19:53 |
Haas Werner – fortepian |
Orchestre National de L’Opera |
de Monte Carlo – Inbal Eliahu |
| Czajkowski Piotr |
190 |
Koncert skrzypcowy D-dur, |
op. 35 |
00:06:13 |
Szeryng Henryk – skrzypce |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
| Czajkowski Piotr |
190 |
Śpiąca Królewna, |
op. 66 |
00:05:53 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
191 |
Koncert skrzypcowy D-dur, |
op. 35 |
00:17:51 |
Festival Orchestra Belgium – |
– Narrato Pierre |
|
| Czajkowski Piotr |
191 |
Koncert skrzypcowy D-dur, |
op. 35 |
00:06:50 |
Festival Orchestra Belgium – |
– Narrato Pierre |
|
| Czajkowski Piotr |
191 |
Koncert skrzypcowy D-dur, |
op. 35 |
00:09:38 |
Festival Orchestra Belgium – |
– Narrato Pierre |
|
| Czajkowski Piotr |
191 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:09:21 |
Festival Orchestra Belgium – |
– Narrato Pierre |
|
| Czajkowski Piotr |
191 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:03:57 |
Festival Orchestra Belgium – |
– Narrato Pierre |
|
| Czajkowski Piotr |
191 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:06:41 |
Festival Orchestra Belgium – |
– Narrato Pierre |
|
| Czajkowski Piotr |
191 |
Serenada na orkiestrę smyczkową |
C-dur, op. 48 |
00:08:12 |
Festival Orchestra Belgium – |
– Narrato Pierre |
|
| Czajkowski Piotr |
192 |
Wariacje Rococo na wiolonczelę |
i orkiestrę A-dur, op. 33 |
00:17:55 |
Iwasaki Ko – wiolonczela |
Orkiestra Symfoniczna Polskiego Radia – |
– Wit Antoni |
| Czajkowski Piotr |
193 |
Suita nr 1 d-moll, |
op. 43 |
00:06:14 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 2 C-dur, |
op. 53 |
00:11:23 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 2 C-dur, |
op. 53 |
00:05:35 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 1 d-moll, |
op. 43 |
00:08:01 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 1 d-moll, |
op. 43 |
00:07:53 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 1 d-moll, |
op. 43 |
00:01:52 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 1 d-moll, |
op. 43 |
00:12:21 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 1 d-moll, |
op. 43 |
00:05:42 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:01:41 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:03:29 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:04:51 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita orkiestrowa nr 4 |
Mozartiana, op. 61 |
00:14:40 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 3 G-dur, |
op. 55 |
00:04:32 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 3 G-dur, |
op. 55 |
00:05:47 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 3 G-dur, |
op. 55 |
00:19:14 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 2 C-dur, |
op. 53 |
00:05:06 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 2 C-dur, |
op. 53 |
00:09:00 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 2 C-dur, |
op. 53 |
00:04:02 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
193 |
Suita nr 3 G-dur, |
op. 55 |
00:10:47 |
Bean Hugh – skrzypce |
Bradbury Colin – klarnet |
New Philharmonia Orchestra – |
| Czajkowski Piotr |
194 |
Śpiąca Królewna – |
– suita z baletu, op. 66 a |
00:03:39 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:03:03 |
Spierer Leon – skrzypce |
Finke Eberhard – wiolonczela |
Filharmonia Berlińska – |
| Czajkowski Piotr |
194 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:06:49 |
Spierer Leon – skrzypce |
Finke Eberhard – wiolonczela |
Filharmonia Berlińska – |
| Czajkowski Piotr |
194 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:01:27 |
Spierer Leon – skrzypce |
Finke Eberhard – wiolonczela |
Filharmonia Berlińska – |
| Czajkowski Piotr |
194 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:06:22 |
Spierer Leon – skrzypce |
Finke Eberhard – wiolonczela |
Filharmonia Berlińska – |
| Czajkowski Piotr |
194 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:03:18 |
Spierer Leon – skrzypce |
Finke Eberhard – wiolonczela |
Filharmonia Berlińska – |
| Czajkowski Piotr |
194 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:04:17 |
Spierer Leon – skrzypce |
Finke Eberhard – wiolonczela |
Filharmonia Berlińska – |
| Czajkowski Piotr |
194 |
Śpiąca Królewna – |
– suita z baletu, op. 66 a |
00:04:33 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Śpiąca Królewna – |
– suita z baletu, op. 66 a |
00:01:41 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Śpiąca Królewna – |
– suita z baletu, op. 66 a |
00:04:25 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:03:04 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:26 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:06 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:01:10 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:03:46 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:01:14 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:35 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:06:45 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
194 |
Śpiąca Królewna – |
– suita z baletu, op. 66 a |
00:05:43 |
Filharmonia Berlińska – |
– Rostropovich Mstislav |
|
| Czajkowski Piotr |
195 |
Burza, |
op. 76 |
00:12:47 |
Radio Sinfonie Orchestr Frankfurt – |
– Inbal Eliahu |
|
| Czajkowski Piotr |
195 |
Fatum, |
op. 77 |
00:16:16 |
Radio Sinfonie Orchestr Frankfurt – |
– Inbal Eliahu |
|
| Czajkowski Piotr |
195 |
Hamlet, |
op. 67 a |
00:18:20 |
New Philharmonia Orchestra – |
– Markevitch Igor |
|
| Czajkowski Piotr |
195 |
Francesca da Rimini, |
op. 32 |
00:23:05 |
New Philharmonia Orchestra – |
– Markevitch Igor |
|
| Czajkowski Piotr |
195 |
Uwertura 1812, |
op. 49 |
00:15:16 |
Royal Concertgebouw Orchestra – |
– Markevitch Igor |
|
| Czajkowski Piotr |
195 |
Romeo i Julia – fantazja ork. |
– Uwertura |
00:20:16 |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
|
| Czajkowski Piotr |
195 |
Wojewoda – ballada symfoniczna, |
op. 78 |
00:11:41 |
Radio Sinfonie Orchestr Frankfurt – |
– Inbal Eliahu |
|
| Czajkowski Piotr |
195 |
Burza – fantazja symfoniczna, |
op. 18 |
00:02:22 |
Radio Sinfonie Orchestr Frankfurt – |
– Inbal Eliahu |
|
| Czajkowski Piotr |
196 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:00 |
New Philharmonic Orchestra – |
– Scholz Alfred |
|
| Czajkowski Piotr |
196 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:04:24 |
New Philharmonic Orchestra – |
– Scholz Alfred |
|
| Czajkowski Piotr |
196 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:35 |
New Philharmonic Orchestra – |
– Scholz Alfred |
|
| Czajkowski Piotr |
196 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:05:24 |
New Philharmonic Orchestra – |
– Scholz Alfred |
|
| Czajkowski Piotr |
196 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:03:33 |
New Philharmonic Orchestra – |
– Scholz Alfred |
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:03:47 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:02:02 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:02:19 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:07:56 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:01:35 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:07:41 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:03:11 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
196 |
Jezioro Łabędzie – |
– suita z baletu, op. 20 |
00:02:48 |
Symphony Orchestra – Lizzio Alberto |
|
|
| Czajkowski Piotr |
197 |
Kaprys Włoski, |
op. 45 |
00:15:01 |
Radio Symphony Orchestra Ljubljana – |
– Nanut Anton |
|
| Czajkowski Piotr |
197 |
Romeo i Julia – fantazja ork. |
– Uwertura |
00:20:51 |
New Philharmonic Orchestra – |
– Siegel Lawrence |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:07:04 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:36 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:01:12 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:01:20 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:06 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:02:44 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:03:15 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
197 |
Dziadek do orzechów – |
– suita z baletu, op. 71 a |
00:03:37 |
London Festival Orchestra – |
– Lizzio Alberto |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:03:31 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:06:46 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:02:34 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:02:32 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:01:04 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:01:10 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:02:53 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:01:14 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:04:57 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:06:43 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:03:21 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:06:05 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:05:48 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:05:14 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:02:16 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:02:23 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:03:55 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:03:06 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:04:10 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:02:10 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:00:41 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:04:10 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:01:18 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Dziadek do orzechów, |
op. 71 |
00:05:04 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:06:50 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:03:23 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:05:26 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:03:03 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:04:36 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:01:11 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:00:43 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:02:15 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:01:22 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:05:25 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:02:39 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:02:35 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:03:57 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:02:24 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
198 |
Śpiąca Królewna, |
op. 66 |
00:02:38 |
London Symphony Orchestra – |
– Fistoulari Anatole |
Maguire Hugh – skrzypce |
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:03:15 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:32 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:03:50 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:02 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:06:25 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:07:28 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:59 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:02:03 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:02:28 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:07:51 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:03:10 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:46 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:15 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:36 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:05:46 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:05:52 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:39 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:03:00 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:46 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:44 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:11 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:09:09 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:08:50 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:02:31 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:00:50 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:03:03 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:14 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:46 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:29 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:57 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:03:15 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:02:05 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:03:05 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:47 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:19 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:23 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:29 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:04:07 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:35 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:01:11 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:02:39 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
199 |
Śpiąca Królewna, |
op. 66 |
00:05:52 |
Royal Concertgebouw Orchestra – |
– Dorati Antal |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:02:25 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:02:24 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:05:16 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:01:24 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:02:28 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:00:47 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:04:57 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:02:46 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:01:07 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:00:58 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:03:08 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:01:12 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:04:44 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:04:25 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:06:17 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:04:13 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:03:43 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:07:11 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:06:00 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:05:39 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:02:22 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:06:44 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:04:10 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
200 |
Dziadek do orzechów, |
op. 71 |
00:03:24 |
National Philharmonic Orchestra – |
– Bonynge Richard |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:07:57 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:36 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:04:43 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:07:00 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:06:45 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:05:45 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:05:43 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:01:16 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:16 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:08 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:06:02 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:00 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:07:33 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:28 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:56 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:22 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:17 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:01:53 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:02:54 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:01:44 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:01:32 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
201 |
Jezioro Łabędzie, |
op. 20 |
00:03:34 |
L’Orchestre de la Suisse Romande – |
– Ansermet Ernest |
|
| Czajkowski Piotr |
385 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:07:07 |
Richter Sviatoslav – fortepian |
Filharmonia Wiedeńska – Karajan Herbert van |
|
| Czajkowski Piotr |
385 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:06:55 |
Richter Sviatoslav – fortepian |
Filharmonia Wiedeńska – Karajan Herbert van |
|
| Czajkowski Piotr |
385 |
Koncert fortepianowy nr 1 b-moll |
op. 23 |
00:22:08 |
Richter Sviatoslav – fortepian |
Filharmonia Wiedeńska – Karajan Herbert van |
|
| Dargomyżski Aleksander |
109 |
Stenka Razin |
|
00:04:56 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Chervyak |
|
00:02:28 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Nochnoi zefir struyit efir |
|
00:03:44 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Ei, ukhnyem |
|
00:05:04 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Utyos |
|
00:05:50 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Dubinushka |
|
00:03:54 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Bandura |
|
00:06:00 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
V tyomnom lyesye |
|
00:02:12 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Ochi chorny |
|
00:03:42 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Proshchai radost |
|
00:05:45 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Nochenka |
|
00:06:12 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Dvyenadsat razboinikov |
|
00:05:40 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Dargomyżski Aleksander |
109 |
Stari kapral |
|
00:04:43 |
Ghiaurov Nicolai – bas |
Ghiaurov Zlatina – fortepian |
Kaval Orchestra & Chorus – |
| Dargomyżski Aleksander |
109 |
Vdol po Pityerskoi |
|
00:02:40 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Debussy C. |
580 |
Nuitd’etoiles |
|
00:03:41 |
Raszkiewicz Beata – sopran |
Mizera Marek – fortepian |
|
| Debussy Claude |
38 |
En blanc et moir na dwa fortepiany, |
|
00:03:53 |
Argerich Martha – fortepian |
Kovacevich Stephen – fortepian |
|
| Debussy Claude |
38 |
En blanc et moir na dwa fortepiany, |
|
00:07:15 |
Argerich Martha – fortepian |
Kovacevich Stephen – fortepian |
|
| Debussy Claude |
38 |
En blanc et moir na dwa fortepiany, |
|
00:04:06 |
Argerich Martha – fortepian |
Kovacevich Stephen – fortepian |
|
| Debussy Claude |
152 |
La Mer |
|
00:08:06 |
Austrian Broadcasting – Horvat Milan |
|
|
| Debussy Claude |
152 |
La Mer |
|
00:01:02 |
Austrian Broadcasting – Horvat Milan |
|
|
| Debussy Claude |
152 |
La Mer |
|
00:09:01 |
Austrian Broadcasting – Horvat Milan |
|
|
| Debussy Claude |
154 |
Iberia – Image Pour orch nr 2 |
|
00:07:39 |
Symphonie Orchestr – Horvat Milan |
|
|
| Debussy Claude |
154 |
Le Martin dun jour de fete |
|
00:04:19 |
Symphonie Orchestr – Horvat Milan |
|
|
| Debussy Claude |
154 |
Les parfums de la nuit |
|
00:08:09 |
Symphonie Orchestr – Horvat Milan |
|
|
| Debussy Claude |
155 |
Iberia nr 2, |
|
00:04:19 |
Philharmonia Slavonica – Pantelli Carlos |
|
|
| Debussy Claude |
155 |
Iberia nr 2, |
|
00:08:08 |
Philharmonia Slavonica – Pantelli Carlos |
|
|
| Debussy Claude |
155 |
Iberia nr 2, |
|
00:07:34 |
Philharmonia Slavonica – Pantelli Carlos |
|
|
| Debussy Claude |
202 |
Kącik dziecięcy, |
|
00:02:37 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:02:53 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Images, |
Część II: |
00:03:21 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:03:34 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:01:59 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:02:52 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:03:19 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Estampes, |
|
00:04:00 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Estampes, |
|
00:04:34 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Estampes, |
|
00:03:15 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:02:52 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Kącik dziecięcy, |
|
00:03:21 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:02:36 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Kącik dziecięcy, |
|
00:02:12 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Kącik dziecięcy, |
|
00:02:30 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Kącik dziecięcy, |
|
00:02:05 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:04:00 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Images, |
Część II: |
00:05:42 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Images, |
Część II: |
00:03:57 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Images, |
Część I: |
00:03:13 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Images, |
Część I: |
00:07:11 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Images, |
Część I: |
00:04:49 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
L’Isle joyeuse |
|
00:05:07 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:03:45 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:24 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:59 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:11 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:03:39 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:20 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:39 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:42 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:54 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:58 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:42 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:02:05 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:02:20 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:06:44 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część I: |
00:02:09 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Preludia |
Część II: |
00:02:42 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Suita fortepianowa, |
|
00:03:27 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Suita fortepianowa, |
|
00:05:02 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Suita fortepianowa, |
|
00:03:44 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Arabeska, |
|
00:03:49 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Arabeska, |
|
00:02:46 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Mazurek, |
|
00:02:21 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
202 |
Kącik dziecięcy, |
|
00:02:42 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
En blanc noir, |
|
00:04:15 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Petite suite, |
|
00:02:48 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Suite bergamasque, |
|
00:03:45 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Taniec, |
|
00:04:28 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Walc romantyczny, |
|
00:03:13 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Hommage a Haydn, |
|
00:01:50 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Reverie, |
|
00:03:42 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Nokturn Des-dur, |
|
00:05:43 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Ballade slave, |
|
00:06:11 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Masques, |
|
00:03:55 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Danse bohemienne, |
|
00:01:50 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Le petit negre, |
|
00:01:34 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Berceuse heroique, |
|
00:03:53 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Suite bergamasque, |
|
00:03:37 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
En blanc noir, |
|
00:06:40 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Suite bergamasque, |
|
00:03:45 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Petite suite, |
|
00:03:35 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Petite suite, |
|
00:02:23 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Petite suite, |
|
00:02:48 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Lindaraja, |
|
00:04:43 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
6 epigraphes antiques, |
|
00:02:07 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
6 epigraphes antiques, |
|
00:03:13 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
6 epigraphes antiques, |
|
00:02:00 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
6 epigraphes antiques, |
|
00:01:49 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
6 epigraphes antiques, |
|
00:02:31 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
6 epigraphes antiques, |
|
00:02:03 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Marche ecossaise, |
|
00:05:45 |
Lee Noel – fortepian |
|
|
| Debussy Claude |
203 |
En blanc noir, |
|
00:03:31 |
Lee Noel – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część I: |
00:02:22 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część I: |
00:02:55 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część I: |
00:03:08 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część I: |
00:04:41 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Suite bergamasque, |
|
00:04:45 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część I: |
00:03:32 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część II: |
00:03:19 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część II: |
00:02:01 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część II: |
00:04:19 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część II: |
00:03:10 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część II: |
00:05:20 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
La plus que lente |
|
00:03:30 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część I: |
00:01:24 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
D’un cahier d’esquisses |
|
00:04:41 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
203 |
Etiudy, |
Część II: |
00:04:45 |
Haas Werner – fortepian |
|
|
| Debussy Claude |
204 |
Rapsodia na klarnet i orkiestrę, |
|
00:08:19 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
Pieterson George – klarnet |
| Debussy Claude |
204 |
Prelude a l’Apres-midi d’un faune, |
|
00:11:07 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Nokturny, |
|
00:07:02 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Nokturny, |
|
00:06:12 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Nokturny, |
|
00:10:19 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
La Mer, |
|
00:08:37 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
La Mer, |
|
00:06:25 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Marche ecossaise, |
|
00:06:43 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Images, |
|
00:07:43 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
La Mer, |
|
00:07:54 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Tańce na harfę i orkiestrę, |
|
00:04:31 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
Badings Vera – harfa |
| Debussy Claude |
204 |
Images, |
|
00:06:45 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Tańce na harfę i orkiestrę, |
|
00:04:37 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
Badings Vera – harfa |
| Debussy Claude |
204 |
Images, |
|
00:08:33 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Images, |
|
00:04:24 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Jeux, |
|
00:18:46 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Images, |
|
00:07:23 |
Royal Concertgebouw Orchestra – |
– Hitink Bernard |
|
| Debussy Claude |
204 |
Berceuse heroique, |
|
00:03:59 |
Royal Concertgebouw Orchestra – |
– Beinum Eduard van |
|
| Debussy Claude |
205 |
La Mer, |
|
00:07:50 |
Filharmonia Berlińska – |
– Karajan Herbert von |
|
| Debussy Claude |
205 |
La Mer, |
|
00:06:13 |
Filharmonia Berlińska – |
– Karajan Herbert von |
|
| Debussy Claude |
205 |
La Mer, |
|
00:08:35 |
Filharmonia Berlińska – |
– Karajan Herbert von |
|
| Debussy Claude |
219 |
Suite bergamasque, |
|
00:03:37 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Preludia |
|
00:07:05 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Suite bergamasque, |
|
00:04:05 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Arabeska, |
|
00:03:36 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Suite bergamasque, |
|
00:04:12 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Arabeska, |
|
00:03:51 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Suite bergamasque, |
|
00:05:08 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Prelude a l’Apres-midi d’un faune, |
|
00:10:11 |
Orchestre Radio Symphonique Paris – |
– Bertrand Loic |
|
| Debussy Claude |
219 |
Kącik dziecięcy, |
|
00:02:27 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Kącik dziecięcy, |
|
00:03:17 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Kącik dziecięcy, |
|
00:02:56 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Kącik dziecięcy, |
|
00:02:33 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Kącik dziecięcy, |
|
00:02:25 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Kącik dziecięcy, |
|
00:02:37 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
219 |
Preludia, |
|
00:02:33 |
Schmalfuss Peter – fortepian |
|
|
| Debussy Claude |
220 |
Petite suite, |
|
00:02:52 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
La Mer, |
|
00:08:04 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
La Mer, |
|
00:07:22 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
La Mer, |
|
00:07:45 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
Marche Ecossaise sur un Theme |
Populaire |
00:05:57 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
Petite suite, |
|
00:03:12 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
Petite suite, |
|
00:02:58 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
6 epigraphes antiques, |
|
00:02:00 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
6 epigraphes antiques, |
|
00:03:32 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
6 epigraphes antiques, |
|
00:02:53 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
6 epigraphes antiques, |
|
00:02:22 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
6 epigraphes antiques, |
|
00:02:33 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
6 epigraphes antiques, |
|
00:02:05 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
220 |
Petite suite, |
|
00:03:16 |
Duo Crommelynck – fortepian |
|
|
| Debussy Claude |
223 |
Deux Arabesques |
|
00:03:20 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:03:01 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Deux Arabesques |
|
00:03:48 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Images, |
Część II: |
00:04:09 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Images, |
Część II: |
00:05:39 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Images, |
Część II: |
00:04:52 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Images, |
Część I: |
00:03:19 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:03:54 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:02:54 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:02:02 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:05:08 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:04:36 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Suite bergamasque, |
|
00:03:40 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Suite bergamasque, |
|
00:03:55 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Suite bergamasque, |
|
00:05:30 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Suite bergamasque, |
|
00:03:23 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Images, |
Część I: |
00:04:57 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Kącik dziecięcy, |
|
00:02:53 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Kącik dziecięcy, |
|
00:02:11 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Kącik dziecięcy, |
|
00:02:44 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Kącik dziecięcy, |
|
00:02:36 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Kącik dziecięcy, |
|
00:04:01 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Kącik dziecięcy, |
|
00:02:14 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Images, |
Część I: |
00:06:55 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Estampes, |
|
00:03:18 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:02:53 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:02:24 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:02:39 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:06:21 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:02:27 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Preludia |
Część I: |
00:02:10 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Pour le piano, |
|
00:03:24 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Pour le piano, |
|
00:03:44 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Estampes, |
|
00:05:50 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Estampes, |
|
00:05:07 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
L’lsle joyeuse, |
|
00:05:34 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Pour le piano, |
|
00:04:40 |
Roge Pascal – fortepian |
|
|
| Debussy Claude |
223 |
Reverie |
|
00:04:54 |
Roge Pascal – fortepian |
|
|
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:05:21 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:52 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:20 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:14 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:45 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:03:39 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:03:48 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:03:52 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:15 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:04:21 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:00 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:33 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:06:36 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:03:19 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:07 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:05:02 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:33 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:02 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:55 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:47 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:39 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:58 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:03:44 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:39 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:24 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:19 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:03:06 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:03:38 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:14 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:32 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:18 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:01:50 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
172 |
Coppelia ou la fille aux yeux |
d’email |
00:02:46 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:06:54 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:03:06 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:03:24 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:05:02 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:01:21 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt II : |
00:04:36 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:02:48 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:03:35 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:02:46 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:01:14 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:01:46 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:06:34 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:03:09 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:03:14 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:06:52 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt II : |
00:04:54 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt II : |
00:02:51 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt II : |
00:06:14 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt II : |
00:02:59 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:04:30 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:04:41 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:03:01 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:05:01 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt I : |
00:04:41 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt III : |
00:01:02 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delibes Leo |
218 |
Sylvia, |
Akt II : |
00:01:57 |
New Philharmonia Orchestra – |
– Bonynge Richard |
|
| Delius Frederick |
224 |
Morski dryf, |
|
00:05:33 |
Shirley-Quirk John – baryton |
London Symphony Chorus |
Royal Philharmonic Orchestra – |
| Delius Frederick |
224 |
Morski dryf, |
|
00:05:37 |
Shirley-Quirk John – baryton |
London Symphony Chorus |
Royal Philharmonic Orchestra – |
| Delius Frederick |
224 |
Morski dryf, |
|
00:09:09 |
Shirley-Quirk John – baryton |
London Symphony Chorus |
Royal Philharmonic Orchestra – |
| Delius Frederick |
224 |
Morski dryf, |
|
00:06:47 |
Shirley-Quirk John – baryton |
London Symphony Chorus |
Royal Philharmonic Orchestra – |
| Dobrzyński Ignacy Feliks |
572 |
Andante |
|
00:31:16 |
Warszawska Orkiestra Kameralna |
dyr. Marek Sewen |
|
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:02:50 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:05:15 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:06:50 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:04:02 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:03:10 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:04:26 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:02:01 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:04:16 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:03:35 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:04:19 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:05:08 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:10:36 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:03:33 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:04:20 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:02:56 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:02:13 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:05:57 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:04:36 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:04:43 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:04:18 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt I : |
00:06:14 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:06:12 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:05:46 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt III : |
00:02:16 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:01:29 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:02:57 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:02:19 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:02:31 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:04:10 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:03:32 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:01:42 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:02:23 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:03:52 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:01:19 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:02:09 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:02:16 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
206 |
Lucia di Lammermoor, |
Akt II : |
00:02:52 |
Ambrosian Opera Chorus |
New Philharmonia Orchestra – |
– Cobos Jesus Lopez |
| Donizetti Gaetano |
207 |
La Favorita, |
|
00:05:36 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:02:22 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:01:34 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:04:57 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:04:27 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:02:27 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:03:44 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:04:06 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:04:22 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:02:58 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:01:13 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:02:43 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:04:26 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:03:42 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:02:59 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt II : |
00:04:30 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:02:19 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:01:56 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:04:38 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt I : |
00:03:28 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:05:14 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:03:01 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:01:59 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:04:57 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:01:23 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:01:47 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:01:08 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:02:42 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:03:36 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:04:14 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:02:49 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:01:42 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:03:45 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:01:29 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:02:35 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:07:40 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt III : |
00:04:54 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:02:38 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
207 |
La Favorita, |
Akt IV : |
00:03:29 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Erede Alberto |
Bastianini E.-Alfonso; Poggi G.-Fernardo |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 2 |
00:06:02 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 2 |
00:06:47 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 2 |
00:01:08 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 2 |
00:01:36 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 2 |
00:06:19 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 2 |
00:03:43 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:00:44 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
|
00:03:32 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 1 |
00:01:23 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 1 |
00:03:08 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 1 |
00:04:35 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 1 |
00:04:10 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 1 |
00:03:43 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 1 |
00:07:04 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:02:37 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 2 |
00:03:44 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 1 |
00:04:57 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 1 |
00:02:24 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 1 |
00:03:54 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 1 |
00:02:20 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:01:36 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:07:06 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:07:08 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:03:11 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:04:11 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:01:46 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:01:25 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt I : Scena 2 |
00:06:14 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
208 |
L’Elisir D’Amore |
Akt II : Scena 1 |
00:02:42 |
Orchestra e coro del Maggio Musicale |
Fiorentino – Molinari-Pradelli Francesco |
Gueden H.-Adina; Stefano G.-Nemorino |
| Donizetti Gaetano |
209 |
La Favorite |
|
00:06:45 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Le siege de Corinthe |
|
00:06:35 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Le siege de Corinthe |
|
00:07:36 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Moise |
|
00:05:41 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Moise |
|
00:09:28 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Moise |
|
00:05:54 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Wilhelm Tell |
|
00:04:55 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Wilhelm Tell |
|
00:08:06 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Wilhelm Tell |
|
00:04:31 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
La Favorite |
|
00:00:59 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
La Favorite |
|
00:07:10 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
La Favorite |
|
00:03:18 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Les martyrs |
|
00:03:43 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Les martyrs |
|
00:06:53 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Les martyrs |
|
00:03:32 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Dom Sebastien |
|
00:06:51 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Dom Sebastien |
|
00:06:17 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Dom Sebastien |
|
00:07:53 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
L’assedio di Calais |
|
00:05:11 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
L’assedio di Calais |
|
00:03:32 |
Philharmonie Orchestra – |
– Almeida Antonio de |
|
| Donizetti Gaetano |
209 |
Otello |
|
00:19:30 |
Orchestre National de L’Opera |
de Monte-Carlo – Almeida Antonio de |
|
| Donizetti Gaetano |
389 |
Kwartet smyczkowy D-dur, |
|
00:04:34 |
Academy of St Martin in the Fields – |
– Marriner Neville |
|
| Donizetti Gaetano |
389 |
Kwartet smyczkowy D-dur, |
|
00:02:13 |
Academy of St Martin in the Fields – |
– Marriner Neville |
|
| Donizetti Gaetano |
389 |
Kwartet smyczkowy D-dur, |
|
00:03:48 |
Academy of St Martin in the Fields – |
– Marriner Neville |
|
| Donizetti Gaetano |
389 |
Kwartet smyczkowy D-dur, |
|
00:06:51 |
Academy of St Martin in the Fields – |
– Marriner Neville |
|
| Donizetti Gaetano |
493 |
Córka pułku, |
|
00:03:07 |
1960 – Milano Nino Sanzogum |
Pavarotti Luciano – tenor |
|
| Du Fay Guillaume |
537 |
Missa Sancti Anthoni de Padua |
|
01:08:30 |
Pomerium – Ensambl vocal ,dir.A.Blachly |
|
|
| Duarte John W. |
3 |
Wariacje na temat katalońskiej |
pieśni ludowej |
00:09:33 |
Williams John – gitara |
|
|
| Dukas Paul |
103 |
L’Apprenti sorcier |
|
00:10:17 |
Israel Philharmonic Orchestra – |
– Sir Georg Solti |
|
| Durufle Maurice |
365 |
Requiem, |
|
00:08:16 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
365 |
Preludium i fuga, |
|
00:11:54 |
Cleobury Stephen – organy |
|
|
| Durufle Maurice |
365 |
Quatre Motets, |
|
00:02:26 |
Choir of St John’s College, Cambridge – |
– Guest George |
|
| Durufle Maurice |
365 |
Quatre Motets, |
|
00:02:07 |
Choir of St John’s College, Cambridge – |
– Guest George |
|
| Durufle Maurice |
365 |
Quatre Motets, |
|
00:00:51 |
Choir of St John’s College, Cambridge – |
– Guest George |
|
| Durufle Maurice |
365 |
Quatre Motets, |
|
00:03:08 |
Choir of St John’s College, Cambridge – |
– Guest George |
|
| Durufle Maurice |
365 |
Requiem, |
|
00:02:54 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
365 |
Requiem, |
|
00:08:45 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
365 |
Requiem, |
|
00:03:36 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
365 |
Requiem, |
|
00:03:21 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
365 |
Requiem, |
|
00:05:56 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
365 |
Requiem, |
|
00:04:27 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
365 |
Requiem, |
|
00:04:09 |
King Robert – treble |
Keyte Christopher – baryton |
Cleobury Stephen – organy |
| Durufle Maurice |
566 |
Agnus Dei (Requiem Op. 9) s |
|
00:03:39 |
Choir of King’s College Cambrige |
Peter Barley (organ) |
English Chamber Orchestra |
| DVD – Bellini |
629 |
Norma |
|
02:42:00 |
De Nederlandse Opera |
|
|
| DVD – Bizet |
610 |
Carmen |
|
02:45:00 |
Teatro di San Carlo w Neapolu |
|
|
| DVD – Bizet |
616 |
Poławiacze pereł |
|
02:04:00 |
Gran Teatro la Fenice Wenecja |
|
|
| DVD – Chaczaturian |
606 |
Spartakus |
|
02:00:01 |
The Australian Ballet |
|
|
| DVD – Czajkowski |
605 |
Jezioro Łabędzie |
|
02:11:00 |
The Royal Swedish Ballet |
|
|
| DVD – Czajkowski |
607 |
Dziadek do orzechów |
|
01:48:00 |
The Royal Opera House Covent Garden |
|
|
| DVD – Donizetti |
628 |
Łucja z Lammermooru |
|
02:23:00 |
Teatro Alla Scala w Mediolanie |
|
|
| DVD – Donizetti |
639 |
Anna Bolena |
|
03:03:00 |
ergamo Musica Festival Gaetano Donizetti |
|
|
| DVD – Donizetti |
640 |
Córka pułku |
|
02:01:00 |
Australian Opera |
|
|
| DVD – Haendel |
633 |
Agrippina |
|
02:52:00 |
La Grande Ecurie et la Chambre du Roy |
|
|
| DVD – Haendel |
641 |
Juliusz Cezar |
|
03:46:00 |
Orchestra of the Age of Elinghment |
|
|
| DVD – Kalman |
625 |
Księżniczka czardasza |
|
02:32:00 |
Opera Australia |
|
|
| DVD – Lehar |
624 |
Wesoła wdówka |
|
02:21:00 |
The San Francisco Opera |
|
|
| DVD – Meyerbeer Giacomo |
642 |
Hugenoci |
|
02:20:00 |
Australian Opera |
|
|
| DVD – Monteverdi |
637 |
Orfeusz |
|
01:56:00 |
La Grande Ecurie, La Chambre du Roy |
|
|
| DVD – Mozart |
608 |
Don Giovanni |
|
03:00:00 |
Teatro Alla Scala w Mediolanie |
|
|
| DVD – Offenbach |
620 |
Opowieści Hoffmana |
|
02:40:00 |
Sferisterio di Macerata |
|
|
| DVD – Ponchielli Amilcare |
631 |
Gioconda |
|
02:30:00 |
Orkiestra i Chór Arena di Verona |
|
|
| DVD – Prokofiew |
614 |
Romeo i Julia |
|
02:14:00 |
Teatr Bolszoj Moskwa |
|
|
| DVD – Prokofiew |
617 |
Jwan Groźny |
|
01:52:00 |
Teatr Bolszoj Moskwa |
|
|
| DVD – Prokofiew |
638 |
Miłość do trzech pomarańczy |
|
01:55:00 |
De Nederlandse Opera |
|
|
| DVD – Puccini |
619 |
Madame Butterfly |
|
02:31:00 |
Festiwal Pucciniego, Torre del Lago |
|
|
| DVD – Stauss Richard |
632 |
Dafne |
|
01:54:00 |
Gran Teatro la Fenice |
|
|
| DVD – Strauss |
613 |
Wiedeńska krew |
|
02:04:00 |
Seefestspiele Morbisch |
|
|
| DVD – Strawiński |
609 |
Ognisty Ptak, Wesele |
|
01:20:00 |
The Royal Opera House Covent Garden |
|
|
| DVD – Verdi |
611 |
Nieszpory Sycylijskie |
|
03:31:00 |
Teatro Alla Scala w Mediolanie |
|
|
| DVD – Verdi |
612 |
Traviata |
|
02:13:00 |
Teatro Regio di Parma |
|
|
| DVD – Verdi |
615 |
Trubadur |
|
02:16:00 |
The Royal Opera House Covent Garden |
|
|
| DVD – Verdi |
618 |
Don Carlos |
|
02:50:00 |
De Nederlandse Opera |
|
|
| DVD – Verdi |
626 |
Magbet |
|
02:45:00 |
Gran Teatre del Liceu |
|
|
| DVD – Verdi |
630 |
Attyla |
|
01:57:00 |
Teatro Alla Scala w Mediolanie |
|
|
| DVD – Verdi |
634 |
Rigoletto |
|
02:16:00 |
Royal Opera House Covent Garden |
|
|
| DVD – Wagner |
621 |
Złoto Renu |
|
02:31:00 |
Gran Teatre Del Liceu Barcelona |
|
|
| DVD – Wagner |
622 |
Walkiria |
|
03:59:00 |
Gran Teatre Del Liceu Barcelona |
|
|
| DVD – Wagner |
623 |
Zygfryd |
|
04:10:00 |
Gran Teatre Del Liceu Barcelona |
|
|
| DVD – Wagner |
627 |
Parsifal |
|
03:50:00 |
Festspielhaus Baden – Baden |
|
|
| DVD – Wagner |
635 |
Tristan i Izolda |
|
04:12:00 |
Gran Teatre Del Liceu Barcelona |
|
|
| DVD – Wagner |
636 |
Zmierzch Bogów |
|
04:36:00 |
Gran Teatre Del Liceu Barcelona |
|
|
| Dvorak, Martinu, Janacek |
658 |
Dvorak, Martinu, Janacek |
|
|
Monika Kolasa -Hladikova -mezzozopran, Georgij Kurkov – fortepian |
|
|
| Dworzak Antoni |
1 |
Dumka c-moll i furiant g-moll (s) |
|
00:06:46 |
Goldmann Dieter – fortepian |
|
|
| Dworzak Antoni |
110 |
Songs my mother taught me, |
op. 55 nr 4 |
00:02:07 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Dworzak Antoni |
110 |
Sonatine G-dur, |
op. 100 |
00:03:18 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Dworzak Antoni |
110 |
Humoreska G-dur, |
op. 101 nr 7 |
00:03:18 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Dworzak Antoni |
151 |
Serenada E-dur, |
op. 22 |
00:04:17 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Dworzak Antoni |
151 |
Serenada E-dur, |
op. 22 |
00:05:22 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Dworzak Antoni |
151 |
Serenada E-dur, |
op. 22 |
00:05:45 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Dworzak Antoni |
151 |
Serenada E-dur, |
op. 22 |
00:06:32 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Dworzak Antoni |
151 |
Serenada E-dur, |
op. 22 |
00:05:07 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Dworzak Antoni |
152 |
Taniec słowiański nr 2 e-moll |
|
00:05:33 |
London Symphony Orchestra – |
– Scholz Alfred |
|
| Dworzak Antoni |
192 |
Koncert na wiolonczelę d-moll, |
op. 104 |
00:12:14 |
Iwasaki Ko – wiolonczela |
Orkiestra Symfoniczna Polskiego Radia – |
– Wit Antoni |
| Dworzak Antoni |
192 |
Koncert na wiolonczelę d-moll, |
op. 104 |
00:11:47 |
Iwasaki Ko – wiolonczela |
Orkiestra Symfoniczna Polskiego Radia – |
– Wit Antoni |
| Dworzak Antoni |
192 |
Koncert na wiolonczelę d-moll, |
op. 104 |
00:15:37 |
Iwasaki Ko – wiolonczela |
Orkiestra Symfoniczna Polskiego Radia – |
– Wit Antoni |
| Dworzak Antoni |
210 |
Symfonia nr 9 e-moll, |
op. 95 |
00:09:15 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 8 G-dur, |
op. 88 |
00:09:24 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 8 G-dur, |
op. 88 |
00:06:11 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 8 G-dur, |
op. 88 |
00:10:38 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 8 G-dur, |
op. 88 |
00:10:13 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 7 d-moll, |
op. 70 |
00:08:50 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 7 d-moll, |
op. 70 |
00:07:21 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 7 d-moll, |
op. 70 |
00:10:38 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 9 e-moll, |
op. 95 |
00:11:41 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 7 d-moll, |
op. 70 |
00:09:39 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 9 e-moll, |
op. 95 |
00:11:48 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Symfonia nr 9 e-moll, |
op. 95 |
00:07:50 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
210 |
Scherzo capriccioso, |
op. 66 |
00:12:52 |
The Cleveland Orchestra – |
– Dohnanyi Christoph von |
|
| Dworzak Antoni |
211 |
Symfonia nr 9 e-moll, |
op. 95 |
00:08:08 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
211 |
Symfonia nr 9 e-moll, |
op. 95 |
00:11:51 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
211 |
Symfonia nr 9 e-moll, |
op. 95 |
00:13:04 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
211 |
Symfonia nr 9 e-moll, |
op. 95 |
00:09:32 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
211 |
Symfonia nr 8 G-dur, |
op. 88 |
00:08:48 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
211 |
Symfonia nr 8 G-dur, |
op. 88 |
00:06:39 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
211 |
Symfonia nr 8 G-dur, |
op. 88 |
00:10:19 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
211 |
Symfonia nr 8 G-dur, |
op. 88 |
00:09:58 |
Filharmonia Berlińska – Kubelik Rafael |
|
|
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:03:59 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:01:59 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:03:28 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:02:52 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:01:53 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:01:13 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:00:52 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:01:43 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Wariacje rococo |
na Wilonczelę i Orkiestrę, op. 33 |
00:00:54 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Koncert na wiolonczelę |
i orkiestrę h-moll, op. 104 |
00:12:58 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Koncert na wiolonczelę |
i orkiestrę h-moll, op. 104 |
00:12:41 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
212 |
Koncert na wiolonczelę |
i orkiestrę h-moll, op. 104 |
00:15:42 |
Filharmonia Berlińska – |
– Karajan Herbert von |
Rostropovich Mstislav – wiolonczela |
| Dworzak Antoni |
213 |
Symfonia nr 5 F-dur, |
op. 76 |
00:10:47 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Uwertura mój dom |
op. 62 |
00:10:15 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Uwertura Husycka |
op. 67 |
00:14:51 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 6 D-dur, |
op. 60 |
00:09:35 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 6 D-dur, |
op. 60 |
00:08:08 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 6 D-dur, |
op. 60 |
00:16:54 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 5 F-dur, |
op. 76 |
00:07:49 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 5 F-dur, |
op. 76 |
00:07:00 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 5 F-dur, |
op. 76 |
00:11:18 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 4 d-moll, |
op. 13 |
00:09:21 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 4 d-moll, |
op. 13 |
00:06:33 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 4 d-moll, |
op. 13 |
00:13:22 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 6 D-dur, |
op. 60 |
00:09:27 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
213 |
Symfonia nr 4 d-moll, |
op. 13 |
00:12:28 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 1 c-moll, |
op. 3 |
00:08:49 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 1 c-moll, |
op. 3 |
00:13:35 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 1 c-moll, |
op. 3 |
00:16:09 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 2 B-dur, |
op. 4 |
00:15:06 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 1 c-moll, |
op. 3 |
00:13:03 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 2 B-dur, |
op. 4 |
00:15:06 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 3 Es-dur, |
op. 10 |
00:15:32 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 2 B-dur, |
op. 4 |
00:10:03 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 2 B-dur, |
op. 4 |
00:11:33 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 3 Es-dur, |
op. 10 |
00:08:42 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
214 |
Symfonia nr 3 Es-dur, |
op. 10 |
00:11:30 |
London Symphony Orchestra – |
– Rowicki Witold |
|
| Dworzak Antoni |
215 |
Wariacje symfoniczne, |
op. 78 |
00:18:02 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 7 d-moll, |
op. 70 |
00:09:00 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Wariacje symfoniczne, |
op. 78 |
00:00:35 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 9 e-moll, |
op. 95 |
00:10:37 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 9 e-moll, |
op. 95 |
00:07:41 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 9 e-moll, |
op. 95 |
00:12:30 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 9 e-moll, |
op. 95 |
00:11:40 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 8 G-dur, |
op. 88 |
00:09:42 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 8 G-dur, |
op. 88 |
00:06:33 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 8 G-dur, |
op. 88 |
00:09:40 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 7 d-moll, |
op. 70 |
00:07:03 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 7 d-moll, |
op. 70 |
00:10:11 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 7 d-moll, |
op. 70 |
00:10:01 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Symfonia nr 8 G-dur, |
op. 88 |
00:11:07 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
215 |
Wariacje symfoniczne, |
op. 78 |
00:04:00 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Dworzak Antoni |
216 |
Trio fortepianowe e-moll, |
op. 90 |
00:04:31 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe e-moll, |
op. 90 |
00:07:34 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe f-moll, |
op. 65 |
00:09:02 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe g-moll, |
op. 26 |
00:05:59 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe B-dur, |
op. 21 |
00:08:56 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe B-dur, |
op. 21 |
00:08:08 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe B-dur, |
op. 21 |
00:06:33 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe B-dur, |
op. 21 |
00:05:51 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe g-moll, |
op. 26 |
00:12:07 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe f-moll, |
op. 65 |
00:07:01 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe g-moll, |
op. 26 |
00:05:20 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe f-moll, |
op. 65 |
00:08:55 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe f-moll, |
op. 65 |
00:13:29 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe e-moll, |
op. 90 |
00:06:29 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe e-moll, |
op. 90 |
00:06:02 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe e-moll, |
op. 90 |
00:03:59 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe e-moll, |
op. 90 |
00:04:43 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
216 |
Trio fortepianowe g-moll, |
op. 26 |
00:08:17 |
Pressler Menahem – fortepian |
Cohen Isidore – skrzypce |
Greenhouse Bernard – wiolonczela |
| Dworzak Antoni |
217 |
Msza D-dur, |
op. 86 |
00:06:43 |
Ritchie N.-treble; Giles A. – alt |
Byers A. – tenor; Morton R.-bas |
Cleobury Nicholas – organy |
| Dworzak Antoni |
217 |
Msza D-dur, |
op. 86 |
00:08:37 |
Ritchie N.-treble; Giles A. – alt |
Byers A. – tenor; Morton R.-bas |
Cleobury Nicholas – organy |
| Dworzak Antoni |
217 |
Msza D-dur, |
op. 86 |
00:05:41 |
Ritchie N.-treble; Giles A. – alt |
Byers A. – tenor; Morton R.-bas |
Cleobury Nicholas – organy |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:13:49 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:05:12 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Msza D-dur, |
op. 86 |
00:02:29 |
Ritchie N.-treble; Giles A. – alt |
Byers A. – tenor; Morton R.-bas |
Cleobury Nicholas – organy |
| Dworzak Antoni |
217 |
Msza D-dur, |
op. 86 |
00:05:21 |
Ritchie N.-treble; Giles A. – alt |
Byers A. – tenor; Morton R.-bas |
Cleobury Nicholas – organy |
| Dworzak Antoni |
217 |
Msza D-dur, |
op. 86 |
00:13:14 |
Ritchie N.-treble; Giles A. – alt |
Byers A. – tenor; Morton R.-bas |
Cleobury Nicholas – organy |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:05:58 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:11:14 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:08:35 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:06:11 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:02:09 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:11:12 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:04:15 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:06:59 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:05:08 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:06:02 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
217 |
Requiem, |
op. 89 |
00:10:37 |
Lorengar P.-sopran; Komlossy E.-kontralt |
Ilosfalvy R. – tenor; Krause T. – bas |
The Ambrosian Singers |
| Dworzak Antoni |
221 |
Koncert na skrzypce i orkiestrę |
a-moll, op. 53 |
00:10:30 |
Stern Isaac – skrzypce |
The Philadelphia Orchestra – |
– Ormandy Eugene |
| Dworzak Antoni |
221 |
Koncert na wiolonczelę |
i orkiestrę h-moll, op. 104 |
00:11:37 |
Rose Leonard – wiolonczela |
The Philadelphia Orchestra – |
– Ormandy Eugene |
| Dworzak Antoni |
221 |
Koncert na wiolonczelę |
i orkiestrę h-moll, op. 104 |
00:12:17 |
Rose Leonard – wiolonczela |
The Philadelphia Orchestra – |
– Ormandy Eugene |
| Dworzak Antoni |
221 |
Koncert na skrzypce i orkiestrę |
a-moll, op. 53 |
00:10:53 |
Stern Isaac – skrzypce |
The Philadelphia Orchestra – |
– Ormandy Eugene |
| Dworzak Antoni |
221 |
Koncert na skrzypce i orkiestrę |
a-moll, op. 53 |
00:11:04 |
Stern Isaac – skrzypce |
The Philadelphia Orchestra – |
– Ormandy Eugene |
| Dworzak Antoni |
221 |
Koncert na wiolonczelę |
i orkiestrę h-moll, op. 104 |
00:14:54 |
Rose Leonard – wiolonczela |
The Philadelphia Orchestra – |
– Ormandy Eugene |
| Dworzak Antoni |
222 |
Symfonia nr 9 e-moll, |
op. 95 |
00:09:04 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Dworzak Antoni |
222 |
Symfonia nr 9 e-moll, |
op. 95 |
00:12:09 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Dworzak Antoni |
222 |
Symfonia nr 9 e-moll, |
op. 95 |
00:07:43 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Dworzak Antoni |
222 |
Symfonia nr 9 e-moll, |
op. 95 |
00:11:13 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Dworzak Antoni |
447 |
Czeska suita, |
op. 39 |
00:05:06 |
Detroit Symphony Orchestra – Dorati Antal |
|
|
| Dworzak Antoni |
447 |
Nokturn, |
op. 40 |
00:07:31 |
Detroit Symphony Orchestra – Dorati Antal |
|
|
| Dworzak Antoni |
447 |
Walce praskie, |
B 99 |
00:08:54 |
Detroit Symphony Orchestra – Dorati Antal |
|
|
| Dworzak Antoni |
447 |
Czeska suita, |
op. 39 |
00:04:23 |
Detroit Symphony Orchestra – Dorati Antal |
|
|
| Dworzak Antoni |
447 |
Czeska suita, |
op. 39 |
00:05:29 |
Detroit Symphony Orchestra – Dorati Antal |
|
|
| Dworzak Antoni |
447 |
Czeska suita, |
op. 39 |
00:03:10 |
Detroit Symphony Orchestra – Dorati Antal |
|
|
| Dworzak Antoni |
447 |
Czeska suita, |
op. 39 |
00:05:19 |
Detroit Symphony Orchestra – Dorati Antal |
|
|
| Dworzak Antoni |
601 |
Pieśni |
|
00:18:11 |
Monika Kolasa -Hladikowa -mezzozopran |
G.Kurkow – fortepian |
|
| Eccles Henry |
591 |
Sonata g- moll |
|
00:10:38 |
Urszula Mizia – Wiolonczela |
Pohlutka Elżbieta – fortepian |
|
| Elgar Edward |
110 |
La Capricieuse |
|
00:03:49 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:08:19 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:06:01 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:04:36 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:05:52 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:09:05 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:10:30 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:06:45 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:06:12 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:07:27 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:07:21 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:05:37 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:05:47 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
224 |
The Dream of Gerontius, |
op. 38 |
00:07:21 |
Pears P.-Gerontius; Minton I.-Anioł |
Shirley-Quirk-Priest; London Symphony |
Chorus; The Choir of King’s College; |
| Elgar Edward |
225 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:14:34 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Symfonia nr 1 As-dur, |
op. 55 |
00:19:22 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Symfonia nr 1 As-dur, |
op. 55 |
00:06:15 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:13:50 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Symfonia nr 1 As-dur, |
op. 55 |
00:12:22 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Pomp and circumstance, |
op. 39 |
00:06:30 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Symfonia nr 1 As-dur, |
op. 55 |
00:12:57 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Pomp and circumstance, |
op. 39 |
00:02:58 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Pomp and circumstance, |
op. 39 |
00:05:42 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Pomp and circumstance, |
op. 39 |
00:04:57 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Pomp and circumstance, |
op. 39 |
00:05:30 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:17:11 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:08:00 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
225 |
Cockaigne |
op. 40 |
00:14:47 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:15:30 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:15:30 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Uwertura In the South, |
op. 50 |
00:20:00 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:07:49 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 1 As-dur, |
op. 55 |
00:12:12 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 1 As-dur, |
op. 55 |
00:11:38 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 2 Es-dur, |
op. 63 |
00:12:33 |
London Symphony Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 1 As-dur, |
op. 55 |
00:07:08 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Symfonia nr 1 As-dur, |
op. 55 |
00:17:45 |
Royal Symphonic Orchestra – |
– Previn Andre |
|
| Elgar Edward |
226 |
Cockaigne |
op. 40 |
00:14:17 |
London Philharmonic Orchestra – |
– Sir Solti Georg |
|
| Elgar Edward |
510 |
Enigma – Variations op.36 |
|
00:35:33 |
Robert Lepnardy – fortepian |
Saarbrucken Radio Symphony |
Orchestra dyr.S.Skrowaczewski |
| Elgar Edward |
566 |
Pomp and Cirumstance March No.1(Land of Hope and |
Glory ) s |
00:02:36 |
Royal Choral Society |
London Philharmonic Orchestra |
Andrew Davis |
| Elgar Edward |
592 |
Serenada na orkiestrę smyczkową e-moll op.20 |
1.Allegro Piacevole |
00:03:57 |
Philharmonia Orchestra -Giuseppe Sinopoli |
|
|
| Elgar Edward |
592 |
Pomp and Circumstance,op.39 Military Marches |
No.1 D-major |
00:10:33 |
Philharmonia Orchestra -Giuseppe Sinopoli |
|
|
| Elgar Edward |
592 |
Variations on an original theme „Enigma”, op.3 |
9.Nimrod |
00:04:01 |
Royal Philharmonic Orchesta -Norman Del Mar |
|
|
| Elgar Edward |
592 |
Pomp and Circumstance,op.39 Military Marches |
No.4 G-major |
00:05:20 |
Philharmonia Orchestra -Giuseppe Sinopoli |
|
|
| Faidit Gaucelm |
539 |
” Fortz chausa est ” (s) |
|
00:03:55 |
Alla Francesca – voc.and instr.ensemble |
|
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:04:05 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:03:38 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:03:13 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:06:59 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:06:01 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:06:10 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:05:05 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
339 |
Trójgraniasty kapelusz, |
|
00:01:36 |
Berganza Teresa – alt |
Orchestre de la Suisse Romande – Ansermet Ernest |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:00:42 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:01:56 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:02:00 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:02:04 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:01:29 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:00:13 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:00:36 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:03:53 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:00:56 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Tańce z baletu „Trójgraniasty kapelusz” |
|
00:03:33 |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:01:49 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Tańce z baletu „Trójgraniasty kapelusz” |
|
00:02:31 |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:03:57 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:02:59 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Czarodziejska miłość, |
|
00:01:13 |
Bumbry Grace – mezosopran |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
| Falla Manuel de |
458 |
Tańce z baletu „Trójgraniasty kapelusz” |
|
00:07:59 |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
|
| Falla Manuel de |
458 |
Tańce z baletu „Trójgraniasty kapelusz” |
|
00:06:05 |
Radio Smphonie Orchester Berlin – Maazel Lorin |
|
|
| Faugues Guillaume |
536 |
Missa ” La basse danse ” (s) |
|
00:35:05 |
Obsidienne – enseble vocal ,dir.E.Bonnardot |
Consord de flutes a bec – dir.P .Hamon |
|
| Faure G. |
580 |
Les roses d’ispahan |
op 39 nr 4 |
00:02:46 |
Raszkiewicz Beata – sopran |
Mizera Marek – fortepian |
|
| Faure Gabriel |
110 |
Apres un reve, |
op. 7 nr 1 |
00:02:49 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Faure Gabriel |
110 |
Les berceaux, |
op. 23 nr 1 |
00:02:45 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Faure Gabriel |
365 |
Requiem, |
op. 48 |
00:03:34 |
Bond Jonathon – treble |
Luxon Benjamin – baryton |
Cleobury Stephen – organy |
| Faure Gabriel |
365 |
Cantique de Jean Racine, |
op. 11 |
00:05:43 |
Cleobury Stephen – organy |
|
|
| Faure Gabriel |
365 |
Requiem, |
op. 48 |
00:05:56 |
Bond Jonathon – treble |
Luxon Benjamin – baryton |
Cleobury Stephen – organy |
| Faure Gabriel |
365 |
Requiem, |
op. 48 |
00:08:52 |
Bond Jonathon – treble |
Luxon Benjamin – baryton |
Cleobury Stephen – organy |
| Faure Gabriel |
365 |
Requiem, |
op. 48 |
00:03:32 |
Bond Jonathon – treble |
Luxon Benjamin – baryton |
Cleobury Stephen – organy |
| Faure Gabriel |
365 |
Requiem, |
op. 48 |
00:06:03 |
Bond Jonathon – treble |
Luxon Benjamin – baryton |
Cleobury Stephen – organy |
| Faure Gabriel |
365 |
Requiem, |
op. 48 |
00:03:41 |
Bond Jonathon – treble |
Luxon Benjamin – baryton |
Cleobury Stephen – organy |
| Faure Gabriel |
365 |
Messe basse, |
|
00:01:59 |
Brunt Andrew – trble |
Cleobury Stephen – organy |
|
| Faure Gabriel |
365 |
Messe basse, |
|
00:02:10 |
Brunt Andrew – trble |
Cleobury Stephen – organy |
|
| Faure Gabriel |
365 |
Messe basse, |
|
00:02:22 |
Brunt Andrew – trble |
Cleobury Stephen – organy |
|
| Faure Gabriel |
365 |
Messe basse, |
|
00:02:46 |
Brunt Andrew – trble |
Cleobury Stephen – organy |
|
| Faure Gabriel |
365 |
Requiem, |
op. 48 |
00:05:24 |
Bond Jonathon – treble |
Luxon Benjamin – baryton |
Cleobury Stephen – organy |
| Faure Gabriel |
565 |
In paradisum ( Requiem Op. 48) s |
|
00:03:26 |
Jose Luis Garcia (violin) |
Peter Barley (organ) |
Choir of King’s College , Cambridge |
| Faure Gabriel |
566 |
Cantique de Jean Racine s |
|
00:05:10 |
Monks and Choirboys of Downside Abbey |
|
|
| Festa Sebastian (1495-1524) |
531 |
Pieśń włoska – ” Se amor ” (s) |
|
00:02:28 |
Rene Clementic – clavicytherium |
|
|
| Fiocco Joseph-Hector |
110 |
Allegro |
|
00:02:53 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Forqueray |
561 |
Cinquieme Suite , „Jupiter „ |
(s) |
00:04:07 |
|
|
|
| Franck Cesar |
147 |
Symfonia d-moll (Finale) |
|
00:10:40 |
Suddeutsche Philharmoniker – |
Swarowsky Hans |
|
| Franck Cesar |
227 |
Symfonia d-moll, |
|
00:17:56 |
Radio Symphonie Orchestr Berlin – |
– Maazel Lorin |
|
| Franck Cesar |
227 |
Symfonia d-moll, |
|
00:09:44 |
Radio Symphonie Orchestr Berlin – |
– Maazel Lorin |
|
| Franck Cesar |
227 |
Symfonia d-moll, |
|
00:09:15 |
Radio Symphonie Orchestr Berlin – |
– Maazel Lorin |
|
| Franck Cesar |
228 |
Sonata na skrzypce i fortepian |
A-dur, |
00:05:59 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Franck Cesar |
228 |
Symfonia d-moll, |
|
00:09:25 |
Royal Concertgebouw Orchestra – |
– Otterloo Willem van |
|
| Franck Cesar |
228 |
Les Eolides |
|
00:08:36 |
Royal Concertgebouw Orchestra – |
– Otterloo Willem van |
|
| Franck Cesar |
228 |
Preludium, chorał i fuga |
|
00:05:09 |
Pueyo Eduardo del – fortepian |
|
|
| Franck Cesar |
228 |
Preludium, chorał i fuga |
|
00:08:33 |
Pueyo Eduardo del – fortepian |
|
|
| Franck Cesar |
228 |
Preludium, chorał i fuga |
|
00:09:01 |
Pueyo Eduardo del – fortepian |
|
|
| Franck Cesar |
228 |
Cantabile H-dur, |
|
00:06:14 |
Cochereau Pierre – organy |
|
|
| Franck Cesar |
228 |
Symfonia d-moll, |
|
00:17:15 |
Royal Concertgebouw Orchestra – |
– Otterloo Willem van |
|
| Franck Cesar |
228 |
Symfonia d-moll, |
|
00:10:16 |
Royal Concertgebouw Orchestra – |
– Otterloo Willem van |
|
| Franck Cesar |
228 |
Chorał nr 2 h-moll, |
|
00:14:35 |
Cochereau Pierre – organy |
|
|
| Franck Cesar |
228 |
Piece heroique h-moll, |
|
00:07:54 |
Cochereau Pierre – organy |
|
|
| Franck Cesar |
228 |
Sonata na skrzypce i fortepian |
A-dur, |
00:06:25 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Franck Cesar |
228 |
Sonata na skrzypce i fortepian |
A-dur, |
00:07:16 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Franck Cesar |
228 |
Sonata na skrzypce i fortepian |
A-dur, |
00:08:14 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Franck Cesar |
228 |
Wariacje symfoniczne |
|
00:14:46 |
Bucquet Marie-Francoise – fortepian |
Orchestre National de L’Opera |
de Monte-Carlo – Capolongo Paul |
| Franck Cesar |
228 |
Panis angelicus, |
|
00:04:06 |
Carreras Jose – tenor |
Wiener Symphoniker – |
– Harrer Uwe Christian |
| Franck Cesar |
352 |
Chorał organowy, |
|
00:13:16 |
Szabo Jmre – organy |
|
|
| Franck Cesar |
352 |
Chorał organowy, |
|
00:14:01 |
Becker-Foss Hans-Christoph – organy |
|
|
| Franck Cesar |
523 |
Sonata na skrzpce i fortepian A – dur |
|
00:28:40 |
Kaja Danczowska – skrzypce |
Krystian Zimerman – fortepian |
|
| Franck Cesar |
565 |
Panis Angelis s |
|
00:04:54 |
Halle Choir and Orchestra |
Maurice Hanford |
|
| Fucik |
318 |
Marsz Florentine |
|
00:05:14 |
The London Festival Orchestra – Scholz Alfred |
|
|
| Fucik |
318 |
Marinarella |
|
00:10:16 |
The London Festival Orchestra – Scholz Alfred |
|
|
| Gabriel Giovanni |
482 |
Motet, |
|
00:07:04 |
The Monteverdi Choir |
Philip Jones Wind Ensemble – Gardnier John Eliot |
|
| Gabriel Giovanni |
482 |
Motet, |
|
00:10:20 |
The Monteverdi Choir |
Philip Jones Wind Ensemble – Gardnier John Eliot |
|
| Gabriel Giovanni |
482 |
Motet, |
|
00:06:04 |
The Monteverdi Choir |
Philip Jones Wind Ensemble – Gardnier John Eliot |
|
| Gabriel Giovanni |
482 |
Motet, |
|
00:02:09 |
The Monteverdi Choir |
Philip Jones Wind Ensemble – Gardnier John Eliot |
|
| Gabriel Giovanni |
482 |
Motet, |
|
00:04:40 |
The Monteverdi Choir |
Philip Jones Brass Ensemble – Gardnier John Eliot |
|
| Geminiani Francesco |
229 |
Koncert nr 3 C-dur, |
|
00:02:02 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 6 A-dur, |
|
00:02:29 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 5 g-moll, |
|
00:01:27 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 5 g-moll, |
|
00:02:39 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 5 g-moll, |
|
00:01:44 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 5 g-moll, |
|
00:03:26 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 4 F-dur, |
|
00:02:31 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 4 F-dur, |
|
00:01:50 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 4 F-dur, |
|
00:01:25 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 4 F-dur, |
|
00:02:19 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 4 F-dur, |
|
00:01:32 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 3 C-dur, |
|
00:03:03 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 6 A-dur, |
|
00:02:00 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 3 C-dur, |
|
00:02:14 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 2 B-dur, |
|
00:01:10 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 2 B-dur, |
|
00:02:03 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 2 B-dur, |
|
00:01:29 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 2 B-dur, |
|
00:01:49 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 1 D-dur, |
|
00:01:40 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 1 D-dur, |
|
00:02:20 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 1 D-dur, |
|
00:02:50 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 3 C-dur, |
|
00:02:18 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 9 A-dur, |
|
00:00:45 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 12 d-moll, |
|
00:13:40 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 11 E-dur, |
|
00:00:36 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 11 E-dur, |
|
00:02:01 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 11 E-dur, |
|
00:00:54 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 11 E-dur, |
|
00:02:38 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 11 E-dur, |
|
00:01:43 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 10 F-dur, |
|
00:02:16 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 10 F-dur, |
|
00:00:49 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 10 F-dur, |
|
00:02:33 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 10 F-dur, |
|
00:02:45 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 6 A-dur, |
|
00:02:21 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 9 A-dur, |
|
00:02:41 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 6 A-dur, |
|
00:02:18 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 9 A-dur, |
|
00:02:50 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 9 A-dur, |
|
00:04:47 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 8 e-moll, |
|
00:02:00 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 8 e-moll, |
|
00:02:49 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 8 e-moll, |
|
00:02:04 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 8 e-moll, |
|
00:04:47 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 7 d-moll, |
|
00:02:04 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 7 d-moll, |
|
00:02:19 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 7 d-moll, |
|
00:03:06 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 7 d-moll, |
|
00:01:51 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 1 D-dur, |
|
00:03:14 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 10 F-dur, |
|
00:01:51 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Geminiani Francesco |
229 |
Koncert nr 2 B-dur, |
|
00:02:14 |
Michelucci Roberto – skrzypce I |
Gallozzi Walter – skrzypce II |
Bennici Aldo – altówka |
| Gershwin George |
14 |
Błękitna Rapsodia |
|
00:05:02 |
Clayderman Richard – fortepian |
|
|
| Gershwin George |
99 |
Porgy and Bess |
|
00:06:56 |
Symphonic Rock Orchestra |
|
|
| Gershwin George |
99 |
Porgy and Bess |
|
00:05:49 |
Symphonic Rock Orchestra |
|
|
| Gershwin George |
99 |
Porgy and Bess |
|
00:03:14 |
Symphonic Rock Orchestra |
|
|
| Gershwin George |
99 |
Porgy and Bess |
|
00:04:41 |
Symphonic Rock Orchestra |
|
|
| Gershwin George |
99 |
Porgy and Bess |
|
00:05:13 |
Symphonic Rock Orchestra |
|
|
| Gershwin George |
99 |
Porgy and Bess |
|
00:05:26 |
Symphonic Rock Orchestra |
|
|
| Gershwin George |
340 |
Błękitna Rapsodia, |
|
00:16:25 |
Bernstein Keonard – fortepian |
Orkiestra Symfoniczna Columbia – |
– Bernstein Keonard |
| Gershwin George |
340 |
Amerykanin w Paryżu, |
|
00:18:20 |
Orkiestra Filharmonii Nowojorskiej – |
– Bernstein Keonard |
|
| Gershwin George |
370 |
Błękitna Rapsodia, |
|
00:13:17 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Gershwin George |
370 |
Amerykanin w Paryżu, |
|
00:18:26 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Gershwin George |
370 |
Koncert F-dur na fortepian i orkiestrę, |
|
00:14:08 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Gershwin George |
370 |
Koncert F-dur na fortepian i orkiestrę, |
|
00:11:09 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Gershwin George |
370 |
Koncert F-dur na fortepian i orkiestrę, |
|
00:07:13 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Ghirardello da Firenze |
540 |
ballata – ” I’vo 'bene ” (s) |
|
00:01:40 |
Alla Francesca – voc.and instr.ensemble |
|
|
| Ghirardello da Firenze |
540 |
ballata – ” De poni amor ” (s) |
|
00:02:38 |
Alla Francesca – voc.and instr.ensemble |
|
|
| Gibbons |
561 |
” So God loved the world „ |
(s) |
00:04:37 |
|
|
|
| Gibbons Orlando |
487 |
Thus Angels sung, |
|
00:01:15 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
Fantazja In nomine a 5, |
|
00:04:03 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
O Lord, I lift my heart to Thee, |
|
00:01:54 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
Fantazja I a 3, |
|
00:02:35 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
O my love, how comely now, |
|
00:01:15 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
O Lord, increase my faith, |
|
00:02:27 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
This is the record of John, |
|
00:05:09 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
What is our life? |
|
00:05:04 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
Fantazja II a 3, |
|
00:02:59 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
The silver Swan, |
|
00:02:00 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
Fantazja II a 4, |
|
00:04:37 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
God give you good morrow, |
|
00:04:41 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
A good sausage, a good, |
|
00:02:50 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Gibbons Orlando |
487 |
Almighty and everlasting God, |
|
00:02:47 |
McLouhlin Eileen – sopran; Deller Alfred – alt |
Brown Wilfred, English Gerald – tenor |
Bevan Maurice, Platt Norman – bas |
| Glinka Michaił |
109 |
Nochnoi smotr |
|
00:04:14 |
Ghiaurov Nicolai – bas |
Kaval Orchestra & Chorus – |
– Margaritov Atanas |
| Glinka Michaił |
338 |
Rusłan i Ludmiła – uwertura, |
|
00:05:31 |
Orkiestra Symfoniczna |
|
|
| Gluck Christoph von |
110 |
Melodia |
|
00:02:42 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Gluck Christoph Willibald |
556 |
balet ” Alessandro” |
|
00:23:37 |
Musica Antiqua Koln dir.Reihard Goebel |
|
|
| Głowski Eugeniusz (s) |
506 |
Poza kalendarzem |
|
00:03:37 |
Gdańskie Trio |
|
|
| Godard Benjamin |
158 |
Bereceuse aus Jocelyn |
|
00:05:01 |
Orkiestra Opery w Stuttgardzie – |
– Pitamic Alexander von |
|
| Goldberg Johann Gottlieb |
644 |
Wszystkie dzieła na klawesyn solo |
|
00:36:00 |
Alina Ratkowska |
|
|
| Bach, Buxtehude, Sawa, Szymanowski, Dupre, Vierne |
645 |
Organy w kościele św Piotra i Pawła w Bolechowicach |
|
|
Cyprian Jagiełło |
|
|
| Gomez-Crespo Jorge |
3 |
Nortena |
|
00:03:27 |
Williams John – gitara |
|
|
| Gomolka Mikołaj |
568 |
Nieście Chwałę Mocarze |
|
00:00:55 |
Chór a’capella Instytutu Wychowania Muzycznego |
WSP w Kielcach |
|
| Gomółka Mikołaj |
341 |
Psalm 64 |
|
00:02:16 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 35 |
|
00:02:53 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 29 |
|
00:01:35 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 40 |
|
00:03:19 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 1 |
|
00:04:24 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 25 |
|
00:02:22 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 49 |
|
00:02:53 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 45b |
|
00:02:18 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 73 |
|
00:02:18 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 20 |
|
00:01:21 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 11 |
|
00:02:21 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 146 |
|
00:01:18 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 42 |
|
00:03:10 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 75 |
|
00:02:19 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 81 |
|
00:01:28 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 96 |
|
00:02:15 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 58 |
|
00:02:11 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 97 |
|
00:01:33 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 98 |
|
00:01:55 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 108 |
|
00:02:09 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 120 |
|
00:02:50 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 137 |
|
00:02:45 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 47 |
|
00:01:18 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 141 |
|
00:03:12 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 150 |
|
00:01:20 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 149 |
|
00:01:36 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
341 |
Psalm 3 |
|
00:02:42 |
Zespół Kameralny Muzyki Dawnej, |
Cantus Firmus – Sołtysiak Włodzimierz |
|
| Gomółka Mikołaj |
568 |
Kleszczmy rękoma |
|
00:00:59 |
Chór a’capella Instytutu Wychowania Muzycznego |
WSP w Kielcach |
|
| Gomółka Mikołaj |
568 |
Siedząc po niskich brzegach …. |
|
00:02:40 |
Chór a’capella Instytutu Wychowania Muzycznego |
WSP w Kielcach |
|
| Gounod Charles |
110 |
Ave Maria |
|
00:04:15 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Gounod Charles |
172 |
Faust |
|
00:02:43 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Gounod Charles |
172 |
Faust |
|
00:04:02 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Gounod Charles |
172 |
Faust |
|
00:01:36 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Gounod Charles |
172 |
Faust – walc |
|
00:04:35 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Gounod Charles |
172 |
Faust |
|
00:02:52 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Gounod Charles |
172 |
Faust |
|
00:02:01 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Gounod Charles |
172 |
Faust |
|
00:02:35 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Gounod Charles |
172 |
Faust |
|
00:01:47 |
Holtman Jacques – skrzypce |
Jong Bas de – klarnet |
Oldeman Gerrit – altówka |
| Górecki Henryk |
502 |
Kwartet smyczkowy nr 2 (Quasi una Fantasia) |
|
00:31:53 |
Kronos Quartet (w skł. –>> |
David Harington – violin |
John Sherba – violin |
| Górecki Henryk |
502 |
Kwartet smyczkowy nr 1 (Alredy It Is Dusk ) |
|
00:13:59 |
Kronos Quartet (w skł. –>> |
David Harington – violin |
John Sherba – violin |
| Górecki Henryk |
503 |
Trzy utwory w dawnym stylu |
|
|
Orkiestra Kameralna Amadeus |
dyr. A.Duczmal |
|
| Górecki Henryk |
503 |
Koncert na fortepian i orkiestrę smyczkową |
|
|
Anna Górecka |
Orkiestra Kameralna Amadeus |
dyr. A.Duczmal |
| Górecki Henryk |
504 |
Amen op.35 |
|
00:06:24 |
Chicago Symphony Chorus |
kier. John Nelson |
|
| Górecki Henryk |
504 |
Miserere op.44 |
|
00:32:39 |
Chicago Symphony Chorus |
kier. John Nelson |
|
| Górecki Henryk |
504 |
Szeroka woda |
|
00:15:12 |
Lira Chamber Chorus |
kier. Lucy Ding |
|
| Górecki Henryk |
504 |
Wisło moja , wisło szara |
|
00:08:36 |
Lira Chamber Chorus |
kier. Lucy Ding |
|
| Górecki Henryk |
504 |
Euntes ibant et flebant |
|
00:04:30 |
Chicago Symphony Chorus |
kier. John Nelson |
|
| Górecki Henryk (s) |
505 |
Trzy utwory w dawnym stylu |
|
00:08:33 |
Warszawska Orkiestra Barokowa |
” Concerto Avenna „ |
kier. Andrzej Mysiński |
| Górecki Henryk Mikołaj |
342 |
Symfonia nr 3, |
op. 36 |
00:09:16 |
Woytowicz Stefania – sopran |
Orkiestra Symfoniczna Polskiego Radia i Telewizji |
w Katowicach – Katlewicz Jerzy |
| Górecki Henryk Mikołaj |
342 |
Symfonia nr 3, |
op. 36 |
00:25:38 |
Woytowicz Stefania – sopran |
Orkiestra Symfoniczna Polskiego Radia i Telewizji |
w Katowicach – Katlewicz Jerzy |
| Górecki Henryk Mikołaj |
342 |
Symfonia nr 3, |
op. 36 |
00:17:10 |
Woytowicz Stefania – sopran |
Orkiestra Symfoniczna Polskiego Radia i Telewizji |
w Katowicach – Katlewicz Jerzy |
| Górecki Henryk Mikołaj |
565 |
Totus tuus (opening) s |
|
00:04:06 |
Choir of King’s College , Cambridge |
Stephen Cleobury |
|
| Granados E. |
580 |
La Maja Dolorosa |
nr 3 |
00:03:22 |
Raszkiewicz Beata – sopran |
Mizera Marek – fortepian |
|
| Granados Enrique |
2 |
Goyescas |
|
00:52:25 |
De Larrocha Alicia – fortepian |
|
|
| Granados Enrique |
3 |
La maja de Goya |
|
00:04:47 |
Williams John – gitara |
|
|
| Granados Enrique |
110 |
Taniec hiszpański nr 5 |
(Andaluzja) |
00:03:53 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Graun |
561 |
Trio Sonata , Mvt. 3 |
(s) |
00:06:49 |
|
|
|
| Gregorian – Domingo de Ramos |
577 |
Palm Sunday |
|
00:20:39 |
Coro de monjes del monasterio Benedictino de Santo |
Santo Domingo de Silos |
Francisco Lara dir. |
| Gregorian – Jueves Santo |
577 |
Maundy Thursday |
|
00:19:46 |
Coro de monjes del monasterio Benedictino de |
Santo Domingo de Silos |
Francisco Lara dir. |
| Gregorian Chant |
565 |
Veni creator spiritus (Hymn ,mode VIII) (s) |
|
00:02:35 |
Choir the Monks of the Benedictine Monastery of |
Santo Domingo de Silos |
Ismael Fernandes de la Cuesta |
| Gregorian Chant |
566 |
Veni sancte spiritus (Sequence – mode I ) s |
|
00:02:44 |
Choir the Monks of the Benedictine Monastery of |
Santo Domingo de Silos |
|
| Grieg E. |
580 |
Ein Schwan |
op. 25 nr 2 |
00:02:16 |
Raszkiewicz Beata – sopran |
Mizera Marek – fortepian |
|
| Grieg Edvard Hagerup |
1 |
Utwór liryczny na fortepian, (s) |
|
00:04:02 |
Pivka Marian – fortepian |
|
|
| Grieg Edvard Hagerup |
14 |
Koncert fortepianowy a-moll, |
|
00:04:10 |
Clayderman Richard – fortepian |
|
|
| Grieg Edvard Hagerup |
145 |
Koncert fortepianowy a-moll, |
|
00:07:05 |
Symphony Orchestra Ljubljana – |
– Nanut Anton |
Tomsic Dubravka – fortepian |
| Grieg Edvard Hagerup |
158 |
Solvejgs Lied |
|
00:05:18 |
Symphony Orchestra – Scholz Alfred |
|
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 1, op. 46 |
00:04:32 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 2, op. 55 |
00:05:00 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 2, op. 55 |
00:02:42 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 2, op. 55 |
00:04:36 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 2, op. 55 |
00:04:15 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 1, op. 46 |
00:02:29 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Koncert fortepianowy a-moll, |
op. 16 |
00:12:24 |
Kovacevich Stephen – fortepian |
BBC Symphony Orchestra – Sir Davis Colin |
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 1, op. 46 |
00:04:09 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Suita liryczna, |
op. 54 |
00:04:46 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:53 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:42 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:02:54 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:02:21 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Tańce symfoniczne, |
op. 64 |
00:07:59 |
Philharmonia Orchestra – Leppard Raymond |
|
|
| Grieg Edvard Hagerup |
231 |
Tańce symfoniczne, |
op. 64 |
00:06:08 |
Philharmonia Orchestra – Leppard Raymond |
|
|
| Grieg Edvard Hagerup |
231 |
Peer Gynt |
Suita nr 1, op. 46 |
00:03:34 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
From Holberg’s Time, |
op. 40 |
00:06:16 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:54 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:45 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:05 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:00:59 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:05 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:00:37 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:02:56 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:34 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Koncert fortepianowy a-moll, |
op. 16 |
00:06:44 |
Kovacevich Stephen – fortepian |
BBC Symphony Orchestra – Sir Davis Colin |
|
| Grieg Edvard Hagerup |
231 |
From Holberg’s Time, |
op. 40 |
00:03:52 |
English Chamber Orchestra – |
– Leppard Raymond |
Garcia Jose Luis – skrzypce |
| Grieg Edvard Hagerup |
231 |
Tańce symfoniczne, |
op. 64 |
00:05:36 |
Philharmonia Orchestra – Leppard Raymond |
|
|
| Grieg Edvard Hagerup |
231 |
From Holberg’s Time, |
op. 40 |
00:03:35 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
From Holberg’s Time, |
op. 40 |
00:04:30 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
From Holberg’s Time, |
op. 40 |
00:02:39 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Suita liryczna, |
op. 54 |
00:03:11 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Suita liryczna, |
op. 54 |
00:04:25 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Suita liryczna, |
op. 54 |
00:03:18 |
English Chamber Orchestra – |
– Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Koncert fortepianowy a-moll, |
op. 16 |
00:10:12 |
Kovacevich Stephen – fortepian |
BBC Symphony Orchestra – Sir Davis Colin |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:19 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Utwory liryczne, |
op. 12 |
00:01:30 |
Kocsis Zoltan – fortepian |
Philharmonia Orchestra – Leppard Raymond |
|
| Grieg Edvard Hagerup |
231 |
Tańce symfoniczne, |
op. 64 |
00:10:51 |
Philharmonia Orchestra – Leppard Raymond |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:01:43 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:01:25 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:03:20 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:02:06 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:01:57 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:02:36 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:04:08 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:02:56 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:02:16 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:03:32 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:04:00 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:01:34 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:04:04 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:03:03 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:04:25 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:02:44 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:01:35 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:01:39 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:04:40 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
232 |
Utwory liryczne, |
|
00:02:38 |
Gilels Emil – fortepian |
|
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 1, op. 46 |
00:05:13 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 2, op. 55 |
00:06:54 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 2, op. 55 |
00:02:54 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 2, op. 55 |
00:04:55 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 2, op. 55 |
00:04:56 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 1, op. 46 |
00:03:43 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 1, op. 46 |
00:05:12 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
343 |
Peer Gynt |
Suita nr 1, op. 46 |
00:03:12 |
Orkiestra Symfoniczna Filharmonii Łódzkiej – |
– Czyż Henryk |
|
| Grieg Edvard Hagerup |
344 |
Koncert fortepianowy a-moll, |
op. 16 |
00:12:10 |
Entremont Philippe – fortepian |
Philadelphia Orchestra – Ormandy Eugene |
|
| Grieg Edvard Hagerup |
344 |
Koncert fortepianowy a-moll, |
op. 16 |
00:06:00 |
Entremont Philippe – fortepian |
Philadelphia Orchestra – Ormandy Eugene |
|
| Grieg Edvard Hagerup |
344 |
Koncert fortepianowy a-moll, |
op. 16 |
00:09:27 |
Entremont Philippe – fortepian |
Philadelphia Orchestra – Ormandy Eugene |
|
| Guillaume de Machaut |
541 |
Lais et virelais |
|
00:55:01 |
Emmanuel Bonardot – voice and fiddles |
|
|
| Guillaume du Fay |
489 |
Veni creator spiritus, |
|
00:06:29 |
Pro Musica Antiqua – Cape Safford |
|
|
| Guillaume du Fay |
489 |
Flos florum, |
|
00:04:59 |
Pro Musica Antiqua – Cape Safford |
|
|
| Guillaume du Fay |
489 |
Vexilla Regis, |
|
00:03:21 |
Pro Musica Antiqua – Cape Safford |
|
|
| Guillaume du Fay |
489 |
Alma redemptoris mater, |
|
00:04:28 |
Pro Musica Antiqua – Cape Safford |
|
|
| Guillaume du Fay |
489 |
Vergine bella, |
|
00:05:08 |
Pro Musica Antiqua – Cape Safford |
|
|
| Guiot de Dijon |
539 |
” Chanterai por mon coraige ” (s) |
|
00:05:09 |
Alla Francesca – voc.and instr.ensemble |
|
|
| Guliani Mauro |
230 |
Introdukcja, Temat z wariacjami |
i Polonez, op. 65 |
00:10:00 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 2 A-dur, |
op. 36 |
00:09:48 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 1 A-dur, |
op. 30 |
00:09:25 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 1 A-dur, |
op. 30 |
00:06:12 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 1 A-dur, |
op. 30 |
00:06:48 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 2 A-dur, |
op. 36 |
00:06:58 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Variations on I bin |
a Kohlbauern Bub, op. 49 |
00:09:29 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Sonata Eroica A-dur, |
|
00:13:52 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 3 F-dur, |
op. 70 |
00:13:16 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
La Melanconia |
|
00:02:58 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 2 A-dur, |
op. 36 |
00:15:19 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Wariacje na temet Haendla, |
op. 107 |
00:07:21 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 3 F-dur, |
op. 70 |
00:06:36 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Wielka Uwertura, |
op. 61 |
00:07:37 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Introdukcja, Temat z wariacjami |
i Polonez, op. 65 |
00:07:51 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Wariacje koncertowe, |
op. 130 |
00:13:27 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Introdukcja, Temat z wariacjami |
i Polonez, op. 65 |
00:01:37 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guliani Mauro |
230 |
Koncert na gitarę nr 3 F-dur, |
op. 70 |
00:07:55 |
Romero Pepe – gitara |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
| Guzowski Kazimierz (s) |
506 |
Pięć miniatur na wiolonczelę i fotepian |
|
00:06:05 |
A.Prabucka-Firlej i K.Sperski |
|
|
| Haendel George Frideric |
4 |
Koncert B-dur na harfę, smyczki, |
2 flety i orkiestrę, HWV 294 |
00:13:15 |
Holliger Ursula – harfa |
Pepin Andre – flet |
Hermanjat Jean-Claude – flet |
| Haendel George Frideric |
4 |
Alleluja (Mesjasz) |
Mesjasz: II cz. |
00:03:51 |
London Symphony Orchestra |
|
|
| Haendel George Frideric |
4 |
Muzyka na wodzie – suita nr 1 F-dur, |
HWV 348 |
00:31:09 |
Sir Neville Marriner |
Academy of St Martin in the Fields |
|
| Haendel George Frideric |
7 |
Koncert d-moll na organy i orkiestrę, |
op. 74 |
00:06:24 |
Feller Harald – organy |
Capella Istropolitana – |
Kantschieder Paul |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 5 |
00:02:26 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 4 nr 6 |
00:02:24 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 4 nr 6 |
00:03:41 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 4 nr 6 |
00:05:13 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 5 |
00:02:09 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 1 |
00:06:06 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 3 |
00:01:44 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 3 |
00:05:05 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert A-dur, |
op. 7 nr 2 |
00:03:57 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert A-dur, |
op. 7 nr 2 |
00:01:36 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert A-dur, |
op. 7 nr 2 |
00:05:02 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert A-dur, |
op. 7 nr 2 |
00:02:25 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 1 |
00:02:25 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 3 |
00:01:28 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 1 |
00:04:13 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert d-moll, |
op. 7 nr 4 |
00:06:04 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 1 |
00:05:43 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 4 nr 1 |
00:05:06 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 4 |
00:04:25 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 4 |
00:04:09 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 4 |
00:03:37 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 4 |
00:01:56 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 4 nr 3 |
00:02:35 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 4 nr 3 |
00:03:31 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 4 nr 3 |
00:03:20 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 4 nr 2 |
00:04:10 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 3 |
00:04:46 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 4 nr 1 |
00:04:12 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 5 |
00:01:40 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 4 nr 1 |
00:04:38 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 6 |
00:03:23 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 7 nr 6 |
00:03:15 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 7 nr 5 |
00:03:09 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 7 nr 5 |
00:05:21 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert g-moll, |
op. 7 nr 5 |
00:03:39 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert d-moll, |
op. 7 nr 4 |
00:03:59 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert d-moll, |
op. 7 nr 4 |
00:01:18 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert d-moll, |
op. 7 nr 4 |
00:04:47 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert B-dur, |
op. 4 nr 2 |
00:05:26 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
233 |
Koncert F-dur, |
op. 4 nr 5 |
00:02:18 |
Malcoln George – organy i klawesyn |
Hogwood Christopher |
Academy of St Martin in the Fields – |
| Haendel George Frideric |
234 |
Sonata na flet nr 2 e-moll, |
|
00:02:04 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet e-moll, |
op. 1 nr 1 |
00:03:14 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet e-moll, |
op. 1 nr 1 |
00:01:58 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 3 h-moll, |
|
00:02:27 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 3 h-moll, |
|
00:01:08 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 3 h-moll, |
|
00:02:06 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 3 h-moll, |
|
00:02:02 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 2 e-moll, |
|
00:02:07 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet e-moll, |
op. 1 nr 1 |
00:02:44 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 2 e-moll, |
|
00:01:40 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet e-moll, |
op. 1 nr 1 |
00:01:57 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 1 a-moll, |
|
00:02:13 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 1 a-moll, |
|
00:04:17 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 1 a-moll, |
|
00:02:24 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 1 a-moll, |
|
00:01:58 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój c-moll, |
op. 1 nr 8 |
00:01:17 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 2 e-moll, |
|
00:01:37 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 2 F-dur, |
|
00:02:37 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój c-moll, |
op. 1 nr 8 |
00:01:54 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój c-moll, |
op. 1 nr 8 |
00:01:47 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój c-moll, |
op. 1 nr 8 |
00:02:02 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na 2 flety e-moll, |
|
00:03:58 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na 2 flety e-moll, |
|
00:01:40 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na 2 flety e-moll, |
|
00:03:16 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na 2 flety e-moll, |
|
00:01:19 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Symfonia na skrzypce nr 2 B-dur |
|
00:02:18 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet e-moll, |
op. 1 nr 1 |
00:02:28 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Symfonia na skrzypce nr 2 B-dur |
|
00:04:06 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 2 F-dur, |
|
00:01:59 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet nr 2 F-dur, |
|
00:01:44 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet D-dur, |
|
00:01:55 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet D-dur, |
|
00:01:02 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet D-dur, |
|
00:02:26 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet D-dur, |
|
00:01:54 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Symfonia na skrzypce nr 2 B-dur |
|
00:03:54 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój B-dur, |
|
00:03:25 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet g-moll, |
|
00:01:51 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet B-dur, |
|
00:01:16 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet B-dur, |
|
00:02:03 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet F-dur, |
|
00:01:46 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet F-dur, |
|
00:01:04 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet F-dur, |
|
00:01:44 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet F-dur, |
|
00:01:58 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet C-dur, |
|
00:01:21 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet C-dur, |
|
00:02:00 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet C-dur, |
|
00:01:55 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet C-dur, |
|
00:01:56 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet C-dur, |
|
00:02:23 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet B-dur, |
|
00:02:25 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet a-moll, |
|
00:02:21 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet a-moll, |
|
00:02:00 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet g-moll, |
|
00:00:44 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet g-moll, |
|
00:03:21 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet g-moll, |
|
00:01:58 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój F-dur, |
op. 1 nr 5 |
00:01:16 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój F-dur, |
op. 1 nr 5 |
00:00:53 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój F-dur, |
op. 1 nr 5 |
00:02:07 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój F-dur, |
op. 1 nr 5 |
00:01:56 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój F-dur, |
op. 1 nr 5 |
00:01:31 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój B-dur, |
|
00:02:27 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na obój B-dur, |
|
00:01:30 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet a-moll, |
|
00:03:12 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet d-moll, |
|
00:02:04 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet d-moll, |
|
00:02:04 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet d-moll, |
|
00:02:11 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet d-moll, |
|
00:01:12 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet d-moll, |
|
00:01:38 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet d-moll, |
|
00:03:29 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet a-moll, |
|
00:02:32 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
234 |
Sonata na flet d-moll, |
|
00:01:57 |
Muzycy Academy of St Martin in the Fields |
|
|
| Haendel George Frideric |
235 |
Koncert nr 3 g-moll, |
|
00:01:52 |
Holliger Heinz – obój |
English Chamber Orchestra – |
– Leppard Raymond |
| Haendel George Frideric |
235 |
Koncert B-dur, |
op. 4 nr 6 |
00:05:53 |
I Musici |
Holliger Ursula – harfa |
Pepin Andre – flet |
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:02:51 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Koncert nr 13 F-dur, |
|
00:03:00 |
Chorzempa Daniel – organy |
Concerto Amsterdam – Schroder Jaap |
|
| Haendel George Frideric |
235 |
Koncert nr 13 F-dur, |
|
00:03:32 |
Chorzempa Daniel – organy |
Concerto Amsterdam – Schroder Jaap |
|
| Haendel George Frideric |
235 |
Koncert nr 13 F-dur, |
|
00:01:23 |
Chorzempa Daniel – organy |
Concerto Amsterdam – Schroder Jaap |
|
| Haendel George Frideric |
235 |
Koncert nr 13 F-dur, |
|
00:01:54 |
Chorzempa Daniel – organy |
Concerto Amsterdam – Schroder Jaap |
|
| Haendel George Frideric |
235 |
Koncert nr 13 F-dur, |
|
00:05:39 |
Chorzempa Daniel – organy |
Concerto Amsterdam – Schroder Jaap |
|
| Haendel George Frideric |
235 |
Mesjasz, |
|
00:03:50 |
London Symphony Orchestra – |
– Sir Davis Colin |
|
| Haendel George Frideric |
235 |
Mesjasz, |
|
00:05:26 |
Heynis Aafje – kontralt |
Wiener Symphoniker – Gillesberger Hans |
|
| Haendel George Frideric |
235 |
Mesjasz, |
|
00:11:08 |
Heynis Aafje – kontralt |
Wiener Symphoniker – Gillesberger Hans |
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:00:48 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Koncert nr 3 g-moll, |
|
00:02:48 |
Holliger Heinz – obój |
English Chamber Orchestra – |
– Leppard Raymond |
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:00:45 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Koncert nr 3 g-moll, |
|
00:03:08 |
Holliger Heinz – obój |
English Chamber Orchestra – |
– Leppard Raymond |
| Haendel George Frideric |
235 |
Allegro d-moll, |
|
00:01:47 |
Presti Ida – gitara |
Lagoya Alexandre – gitara |
|
| Haendel George Frideric |
235 |
Fuga G-dur, |
|
00:02:10 |
Presti Ida – gitara |
Lagoya Alexandre – gitara |
|
| Haendel George Frideric |
235 |
Chaconne G-dur, |
|
00:13:11 |
Presti Ida – gitara |
Lagoya Alexandre – gitara |
|
| Haendel George Frideric |
235 |
Wielki koncert C-dur, |
|
00:04:05 |
English Baroque Solist – |
– Gardiner John Eliot |
|
| Haendel George Frideric |
235 |
Wielki koncert C-dur, |
|
00:03:26 |
English Baroque Solist – |
– Gardiner John Eliot |
|
| Haendel George Frideric |
235 |
Wielki koncert C-dur, |
|
00:01:50 |
English Baroque Solist – |
– Gardiner John Eliot |
|
| Haendel George Frideric |
235 |
Wielki koncert C-dur, |
|
00:03:29 |
English Baroque Solist – |
– Gardiner John Eliot |
|
| Haendel George Frideric |
235 |
Koncert B-dur, |
op. 4 nr 6 |
00:02:31 |
I Musici |
Holliger Ursula – harfa |
Pepin Andre – flet |
| Haendel George Frideric |
235 |
Koncert B-dur, |
op. 4 nr 6 |
00:04:39 |
I Musici |
Holliger Ursula – harfa |
Pepin Andre – flet |
| Haendel George Frideric |
235 |
Koncert nr 3 g-moll, |
|
00:02:05 |
Holliger Heinz – obój |
English Chamber Orchestra – |
– Leppard Raymond |
| Haendel George Frideric |
235 |
Hercules, |
|
00:06:36 |
Baker Janet – mezosopran |
English Chamber Orchestra – |
– Leppard Raymond |
| Haendel George Frideric |
235 |
Music for the Royal Fireworks, |
|
00:02:40 |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
|
| Haendel George Frideric |
235 |
Music for the Royal Fireworks, |
|
00:02:29 |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:02:11 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Music for the Royal Fireworks, |
|
00:08:47 |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
|
| Haendel George Frideric |
235 |
Music for the Royal Fireworks, |
|
00:02:26 |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
|
| Haendel George Frideric |
235 |
Serse, |
|
00:04:58 |
Gendron Maurice – wiolonczela |
Gallion Peter – fortepian |
|
| Haendel George Frideric |
235 |
Zadok the Priest, |
HWV 258 |
00:05:29 |
Academy and Chorus of St Martin in the Fields |
– Sir Marriner Neville |
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:01:42 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:01:14 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:01:03 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:03:03 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:07:03 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:02:05 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:02:52 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Muzyka na wodzie, |
|
00:02:02 |
Rso Berlin – Maazel Lorin |
|
|
| Haendel George Frideric |
235 |
Music for the Royal Fireworks, |
|
00:01:15 |
Royal Concertgebouw Orchestra – |
– Haitink Bernard |
|
| Haendel George Frideric |
235 |
Solomon, |
|
00:02:58 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:09:30 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:03:18 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:01:39 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:03:13 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:02:50 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:01:22 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:01:44 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:02:22 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:02:28 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:08:46 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:01:32 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:03:07 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:02:08 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:05:09 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:00:28 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:04:10 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:01:53 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:01:26 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:03:02 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:03:56 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:00:46 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część III: |
00:04:19 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:01:09 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część III: |
00:07:10 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część III: |
00:03:48 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część III: |
00:08:30 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część III: |
00:00:37 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część III: |
00:02:08 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część III: |
00:06:16 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:03:51 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:02:23 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:01:39 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część II: |
00:02:43 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:06:00 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:06:36 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:02:14 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:04:19 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:01:30 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:02:46 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:03:26 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:03:08 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
236 |
Mesjasz, |
Część I: |
00:04:08 |
Harper Heather – sopran; Watts Helen – kontralt |
Wakefield John – tenor; Shirley-Quirk John – bas |
London Symphony Choir |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:01:42 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:04:11 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:03:39 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:02:34 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:03:07 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:01:09 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:03:17 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:01:03 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:03:11 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część III: |
00:05:14 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:02:58 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:02:23 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:03:49 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:02:51 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:03:27 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:02:07 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:02:59 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część III: |
00:01:51 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:04:59 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:01:59 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część III: |
00:10:10 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:03:04 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:01:45 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część III: |
00:06:36 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część III: |
00:04:40 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część III: |
00:04:57 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:02:57 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:02:53 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:03:35 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:06:14 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:06:01 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:02:08 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:04:29 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:06:23 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część I: |
00:03:10 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:11:17 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
237 |
Mesjasz, |
Część II: |
00:01:26 |
Ameling Elly – sopran; Reynolds Anna – alt |
Langridge Philip – tenor; Howell Gwynne – bas |
Academy and Chorus of St Martin in the Fields – |
| Haendel George Frideric |
238 |
Wielki koncert nr 26 D-dur, |
HV 351 |
00:02:15 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 1 G-dur, |
HV 319 |
00:01:53 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 2 F-dur, |
HV 320 |
00:02:18 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 2 F-dur, |
HV 320 |
00:03:13 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 2 F-dur, |
HV 320 |
00:02:49 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 2 F-dur, |
HV 320 |
00:04:23 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 1 G-dur, |
HV 319 |
00:03:03 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 1 G-dur, |
HV 319 |
00:02:43 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 26 D-dur, |
HV 351 |
00:01:00 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 1 G-dur, |
HV 319 |
00:02:16 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 26 D-dur, |
HV 351 |
00:01:19 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 26 D-dur, |
HV 351 |
00:03:38 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 26 D-dur, |
HV 351 |
00:01:14 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 26 D-dur, |
HV 351 |
00:09:31 |
Philharmonia Slavonica – Adolph Henry |
|
|
| Haendel George Frideric |
238 |
Wielki koncert nr 1 G-dur, |
HV 319 |
00:03:19 |
Norddeutsche Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:02:38 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:02:43 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:02:48 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:02:24 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:04:37 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:02:24 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:04:27 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:01:05 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:01:31 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:00:51 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:03:29 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:04:50 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:02:45 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:04:14 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:02:10 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:03:28 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:02:43 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
|
00:06:08 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:04:24 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:01:56 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:02:21 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:04:42 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:03:38 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część I: |
00:03:37 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:06:52 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:04:25 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:04:09 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:03:47 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Chandos Anthem nr 10, |
|
00:04:25 |
Cantelo April – sopran; Partridge Ian – tenor |
Davis Andrew – organy |
The Choir of King’s College, Cambrige |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:04:22 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:02:40 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:02:23 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:02:36 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:04:05 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:02:10 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:02:11 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:02:30 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:06:22 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
239 |
Israel in Egypt, |
Część II: |
00:02:04 |
Gale Elizabeth, Watson Lillian – sopran I & II |
Bowman James – alt; Partridge Ian – tenor |
McDonnell Tom, Watt Alan – bas I & II |
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:02:24 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 2 D-dur, |
HV 349 |
00:01:25 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 2 D-dur, |
HV 349 |
00:02:00 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 2 D-dur, |
HV 349 |
00:01:23 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 3 G-dur, |
HV 350 |
00:02:48 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 3 G-dur, |
HV 350 |
00:02:51 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 3 G-dur, |
HV 350 |
00:01:13 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 3 G-dur, |
HV 350 |
00:02:12 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 3 G-dur, |
HV 350 |
00:00:48 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 3 G-dur, |
HV 350 |
00:00:52 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Konstanty Wileński |
667 |
Flute in love |
|
00:49;41 |
Konstanty Wileński |
Anatoly Kogan |
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 2 D-dur, |
HV 349 |
00:04:51 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 2 D-dur, |
HV 349 |
00:02:18 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:04:18 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:07:30 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:04:05 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:04:13 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:02:08 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:02:20 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:02:11 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
347 |
Muzyka na wodzie – suita nr 1 F-dur, |
HV 348 |
00:03:14 |
Norddeutsch Philharmonie – Zanotelli Hans |
|
|
| Haendel George Frideric |
348 |
Wielki koncert d-moll, |
op. 6/10 |
00:02:25 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert d-moll, |
op. 6/10 |
00:03:33 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert d-moll, |
op. 6/10 |
00:01:40 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert h-moll, |
op. 6/12 |
00:03:06 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert h-moll, |
op. 6/12 |
00:03:17 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert h-moll, |
op. 6/12 |
00:04:24 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert h-moll, |
op. 6/12 |
00:01:08 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert d-moll, |
op. 6/10 |
00:02:43 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert d-moll, |
op. 6/10 |
00:02:52 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert h-moll, |
op. 6/12 |
00:02:29 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Muzyka na wodzie – suita, |
|
00:05:26 |
Orchestre Symphonique du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert d-moll, |
op. 6/10 |
00:03:26 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Muzyka na wodzie – suita, |
|
00:02:49 |
Orchestre Symphonique du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Muzyka na wodzie – suita, |
|
00:00:45 |
Orchestre Symphonique du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Muzyka na wodzie – suita, |
|
00:00:53 |
Orchestre Symphonique du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Muzyka na wodzie – suita, |
|
00:03:49 |
Orchestre Symphonique du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Muzyka na wodzie – suita, |
|
00:03:10 |
Orchestre Symphonique du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert B-dur, |
op. 6/7 |
00:01:33 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert B-dur, |
op. 6/7 |
00:03:07 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert B-dur, |
op. 6/7 |
00:02:48 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert B-dur, |
op. 6/7 |
00:05:10 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
348 |
Wielki koncert B-dur, |
op. 6/7 |
00:03:28 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Muzyka sztucznych ogni, |
|
00:01:43 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert F-dur, |
op. 6/9 |
00:01:30 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Muzyka sztucznych ogni, |
|
00:09:18 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Muzyka sztucznych ogni, |
|
00:03:24 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Muzyka sztucznych ogni, |
|
00:03:46 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Muzyka sztucznych ogni, |
|
00:01:29 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Muzyka sztucznych ogni, |
|
00:02:38 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert F-dur, |
op. 6/9 |
00:01:45 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert F-dur, |
op. 6/9 |
00:04:04 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert F-dur, |
op. 6/9 |
00:03:35 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert F-dur, |
op. 6/9 |
00:02:09 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert F-dur, |
op. 6/9 |
00:02:09 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert A-dur, |
op. 6/11 |
00:06:42 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert A-dur, |
op. 6/11 |
00:01:53 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert A-dur, |
op. 6/11 |
00:01:15 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert A-dur, |
op. 6/11 |
00:06:27 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
349 |
Wielki koncert A-dur, |
op. 6/11 |
00:06:27 |
Orchestre de Chambre du Sud-Quest – |
– Munchner Heribert |
|
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:02:34 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Zadok the Priest, |
HWV 258 |
00:00:51 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Zadok the Priest, |
HWV 258 |
00:02:12 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:05:42 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:02:13 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:02:49 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:03:23 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:03:09 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:02:26 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:02:10 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:01:20 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:03:29 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:04:30 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:03:58 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:02:45 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Utrecht Te Deum & Jubilate, |
HWV 278 & 279 |
00:05:11 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
485 |
Zadok the Priest, |
HWV 258 |
00:03:02 |
Wolf Ilse – sopran; Waats Helen – kontralt |
Brown Wilfried, Fleet Edgar – tenor I & II |
Hamsley Thomas – bas |
| Haendel George Frideric |
561 |
Mesiah , „For Unto us „ |
(s) |
00:03:52 |
|
|
|
| Handel George Frideric |
565 |
For unto us a child is born (Messiah ,ed. Lam) (s) |
|
00:04:19 |
Ambrosian Singers |
English Chamber Orchestra |
Sir Charles Mackerras |
| Handel George Frideric |
565 |
Zadok the Priest (s) |
|
00:05:43 |
Ambrosian Singers |
Menuhin Festival Orchestra |
Yehudi Menuhin |
| Handel George Frideric |
566 |
Hallelujah Chorus ( Mesiah) s |
|
00:04:00 |
Ambrosian Singers |
Emglish Chamber Orchestra |
Sir Charles Mackerras |
| Hasse Jan Adolf |
572 |
Marsz Króla Polski |
|
00:03:28 |
Warszawska Orkiestra Kameralna |
dyr. Marek Sewen |
|
| Hasse Jan Adolf |
572 |
Taniec Króla Polski |
|
00:03:58 |
Warszawska Orkiestra Kameralna |
dyr. Marek Sewen |
|
| Haydn |
680 |
Siedem ostatnich słów Jezusa na krzyżu |
|
|
Marek Głowacki-dyrygent |
Polisch Camerata |
Bronisław Wrocławski-Narrator |
| Haydn Frantz Joseph |
565 |
The heavens are telling ( The Creation) s |
|
00:04:46 |
Heather Harper (soprano) |
Robert Tear (tenor) |
John Shirley (baritone) |
| Haydn Frantz Joseph |
566 |
Awake the harp ( The Creation ) s |
|
00:02:09 |
City of Birmingham Symphony Chorus and Orchestra |
Sir Simon Rattle |
|
| Haydn Joseph |
7 |
Koncert na organy i orkiestrę C-dur, |
Hob. XVIII |
00:08:25 |
Feller Harald – organy |
Capella Istropolitana – |
Kantschieder Paul |
| Haydn Joseph |
151 |
Kwartet smyczkowy F-dur, |
op. 3 nr 5 |
00:03:19 |
Academy of St Martin in the Fields – |
– Sir Neville Marriner |
|
| Haydn Joseph |
178 |
Koncert na trąbkę i orkiestrę |
Es-dur, |
00:06:18 |
Camerata Romana – Lizzio Alberto |
|
|
| Haydn Joseph |
178 |
Koncert na trąbkę i orkiestrę |
Es-dur, |
00:03:11 |
Camerata Romana – Lizzio Alberto |
|
|
| Haydn Joseph |
178 |
Koncert na trąbkę i orkiestrę |
Es-dur, |
00:04:19 |
Camerata Romana – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 8 G-dur, |
|
00:07:34 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 6 D-dur, |
|
00:05:51 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 6 D-dur, |
|
00:06:16 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 6 D-dur, |
|
00:04:05 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 6 D-dur, |
|
00:04:35 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 7 C-dur, |
|
00:07:21 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 7 C-dur, |
|
00:07:51 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 7 C-dur, |
|
00:03:35 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 8 G-dur, |
|
00:05:48 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 8 G-dur, |
|
00:04:43 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 8 G-dur, |
|
00:05:14 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
240 |
Symfonia nr 7 C-dur, |
|
00:03:59 |
Musici di San Marco – Lizzio Alberto |
|
|
| Haydn Joseph |
241 |
Symfonia nr 94 G-dur, |
|
00:04:42 |
London Philharmonic Orchestra – |
– Jochum Eugen |
|
| Haydn Joseph |
241 |
Symfonia nr 94 G-dur, |
|
00:03:51 |
London Philharmonic Orchestra – |
– Jochum Eugen |
|
| Haydn Joseph |
241 |
Symfonia nr 94 G-dur, |
|
00:09:18 |
London Philharmonic Orchestra – |
– Jochum Eugen |
|
| Haydn Joseph |
241 |
Symfonia nr 88 C-dur, |
|
00:03:58 |
Wiener Philharmoniker – Bohm Karl |
|
|
| Haydn Joseph |
241 |
Symfonia nr 94 G-dur, |
|
00:06:45 |
London Philharmonic Orchestra – |
– Jochum Eugen |
|
| Haydn Joseph |
241 |
Symfonia nr 88 C-dur, |
|
00:06:34 |
Wiener Philharmoniker – Bohm Karl |
|
|
| Haydn Joseph |
241 |
Symfonia nr 88 C-dur, |
|
00:07:13 |
Wiener Philharmoniker – Bohm Karl |
|
|
| Haydn Joseph |
241 |
Symfonia nr 88 C-dur, |
|
00:04:41 |
Wiener Philharmoniker – Bohm Karl |
|
|
| Haydn Joseph |
242 |
Symfonia nr 87 A-dur, |
|
00:04:53 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 87 A-dur, |
|
00:04:28 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 87 A-dur, |
|
00:06:58 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 85 B-dur, |
|
00:03:19 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 83 g-moll, |
|
00:04:27 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 87 A-dur, |
|
00:07:36 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 82 C-dur, |
|
00:08:06 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 82 C-dur, |
|
00:07:29 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 82 C-dur, |
|
00:04:32 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 82 C-dur, |
|
00:05:35 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 83 g-moll, |
|
00:05:43 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 83 g-moll, |
|
00:03:53 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 84 Es-dur, |
|
00:07:16 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 84 Es-dur, |
|
00:06:29 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 84 Es-dur, |
|
00:03:59 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 84 Es-dur, |
|
00:06:13 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 85 B-dur, |
|
00:07:31 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 85 B-dur, |
|
00:06:57 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 85 B-dur, |
|
00:04:49 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 83 g-moll, |
|
00:07:44 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 86 D-dur, |
|
00:06:28 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 86 D-dur, |
|
00:06:54 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 86 D-dur, |
|
00:06:43 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
242 |
Symfonia nr 86 D-dur, |
|
00:08:06 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
243 |
Symfonia nr 82 C-dur, |
|
00:05:24 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 83 g-moll, |
|
00:06:05 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 86 D-dur, |
|
00:05:55 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 87 A-dur, |
|
00:06:41 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 87 A-dur, |
|
00:05:58 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 87 A-dur, |
|
00:04:02 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 87 A-dur, |
|
00:04:23 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 83 g-moll, |
|
00:07:06 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 86 D-dur, |
|
00:07:45 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 82 C-dur, |
|
00:04:37 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 82 C-dur, |
|
00:06:08 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 82 C-dur, |
|
00:07:57 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 84 Es-dur, |
|
00:05:08 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 86 D-dur, |
|
00:05:24 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 83 g-moll, |
|
00:03:43 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 86 D-dur, |
|
00:07:12 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 84 Es-dur, |
|
00:06:43 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 84 Es-dur, |
|
00:03:23 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 84 Es-dur, |
|
00:05:50 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 85 B-dur, |
|
00:07:09 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 85 B-dur, |
|
00:07:21 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 85 B-dur, |
|
00:04:00 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 85 B-dur, |
|
00:03:15 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
243 |
Symfonia nr 83 g-moll, |
|
00:03:38 |
Academy of St Martin in the Fields – |
– Sir Marriner Neville |
|
| Haydn Joseph |
244 |
Symfonia c-moll, |
|
00:06:26 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:06:48 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia c-moll, |
|
00:04:15 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:04:26 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:08:08 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:08:02 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:06:28 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:07:58 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia c-moll, |
|
00:03:41 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia c-moll, |
|
00:04:55 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:08:25 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:05:05 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:06:52 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia Es-dur, |
|
00:09:24 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia Es-dur, |
|
00:05:26 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia Es-dur, |
|
00:10:34 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:04:39 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:05:23 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:05:40 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia B-dur, |
|
00:07:55 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:03:44 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:05:04 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia D-dur, |
|
00:05:32 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
244 |
Symfonia Es-dur, |
|
00:04:41 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:03:58 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia C-dur, |
|
00:07:23 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia Es-dur, |
|
00:09:09 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia Es-dur, |
|
00:08:48 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:05:13 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:04:05 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:04:53 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:07:47 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia Es-dur, |
|
00:04:19 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:08:07 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia C-dur, |
|
00:05:26 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:04:36 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:07:14 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia Es-dur, |
|
00:05:45 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:07:50 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia C-dur, |
|
00:04:03 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia C-dur, |
|
00:08:33 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:04:49 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:06:12 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:08:27 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:05:11 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:05:03 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia G-dur, |
|
00:06:08 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
245 |
Symfonia D-dur, |
|
00:06:52 |
Royal Concertgebouw Orchestra – |
– Sir Davis Colin |
|
| Haydn Joseph |
246 |
Symfonia nr 103 Es-dur, |
|
00:05:41 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 94 G-dur, |
|
00:03:47 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 104 D-dur, |
|
00:08:31 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 100 G-dur, |
|
00:04:57 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 100 G-dur, |
|
00:05:17 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 100 G-dur, |
|
00:05:48 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 100 G-dur, |
|
00:07:30 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 97 C-dur, |
|
00:05:18 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 97 C-dur, |
|
00:04:23 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 104 D-dur, |
|
00:05:08 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 97 C-dur, |
|
00:08:01 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 104 D-dur, |
|
00:07:03 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 103 Es-dur, |
|
00:05:18 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 97 C-dur, |
|
00:06:51 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 104 D-dur, |
|
00:08:08 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 94 G-dur, |
|
00:04:04 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 103 Es-dur, |
|
00:08:46 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 94 G-dur, |
|
00:05:50 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 94 G-dur, |
|
00:08:28 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 93 D-dur, |
|
00:05:38 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 93 D-dur, |
|
00:04:44 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 93 D-dur, |
|
00:08:24 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 93 D-dur, |
|
00:07:56 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
246 |
Symfonia nr 103 Es-dur, |
|
00:09:39 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 101 D-dur, |
|
00:08:14 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 101 D-dur, |
|
00:07:29 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 101 D-dur, |
|
00:08:17 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 101 D-dur, |
|
00:05:23 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 99 Es-dur, |
|
00:08:28 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 98 B-dur, |
|
00:05:56 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 95 c-moll, |
|
00:03:56 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 95 c-moll, |
|
00:05:08 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 95 c-moll, |
|
00:05:06 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 95 c-moll, |
|
00:07:13 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 102 B-dur, |
|
00:04:53 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 102 B-dur, |
|
00:06:45 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 102 B-dur, |
|
00:05:21 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 99 Es-dur, |
|
00:07:10 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 98 B-dur, |
|
00:08:40 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 98 B-dur, |
|
00:05:27 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 98 B-dur, |
|
00:07:40 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 96 D-dur, |
|
00:03:39 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 96 D-dur, |
|
00:05:23 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 96 D-dur, |
|
00:05:52 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 99 Es-dur, |
|
00:06:07 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 99 Es-dur, |
|
00:04:11 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 96 D-dur, |
|
00:07:15 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
247 |
Symfonia nr 102 B-dur, |
|
00:08:38 |
Philharmonia Hungarica – Dorati Antal |
|
|
| Haydn Joseph |
248 |
Koncert skrzypcowy A-dur, |
|
00:08:21 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert skrzypcowy A-dur, |
|
00:12:35 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert wiolonczelowy D-dur, |
|
00:05:46 |
Walevska Christine – wiolonczela |
English Chamber Orchestra – |
– Waart Edo de |
| Haydn Joseph |
248 |
Koncert wiolonczelowy D-dur, |
|
00:06:07 |
Walevska Christine – wiolonczela |
English Chamber Orchestra – |
– Waart Edo de |
| Haydn Joseph |
248 |
Koncert wiolonczelowy D-dur, |
|
00:13:24 |
Walevska Christine – wiolonczela |
English Chamber Orchestra – |
– Waart Edo de |
| Haydn Joseph |
248 |
Koncert wiolonczelowy C-dur, |
|
00:08:05 |
Walevska Christine – wiolonczela |
English Chamber Orchestra – |
– Waart Edo de |
| Haydn Joseph |
248 |
Koncert wiolonczelowy C-dur, |
|
00:09:24 |
Walevska Christine – wiolonczela |
English Chamber Orchestra – |
– Waart Edo de |
| Haydn Joseph |
248 |
Koncert wiolonczelowy C-dur, |
|
00:10:36 |
Walevska Christine – wiolonczela |
English Chamber Orchestra – |
– Waart Edo de |
| Haydn Joseph |
248 |
Koncert F-dur na skrzypce i klawesyn, |
|
00:02:45 |
Accardo Salvatore – skrzypce |
Canino Bruno – klawesyn |
English Chamber Orchestra – |
| Haydn Joseph |
248 |
Koncert F-dur na skrzypce i klawesyn, |
|
00:09:02 |
Accardo Salvatore – skrzypce |
Canino Bruno – klawesyn |
English Chamber Orchestra – |
| Haydn Joseph |
248 |
Koncert F-dur na skrzypce i klawesyn, |
|
00:06:29 |
Accardo Salvatore – skrzypce |
Canino Bruno – klawesyn |
English Chamber Orchestra – |
| Haydn Joseph |
248 |
Koncert skrzypcowy G-dur, |
|
00:03:41 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert skrzypcowy G-dur, |
|
00:07:48 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert skrzypcowy G-dur, |
|
00:08:45 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert skrzypcowy A-dur, |
|
00:05:37 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert skrzypcowy C-dur, |
|
00:04:27 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert skrzypcowy C-dur, |
|
00:06:29 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
248 |
Koncert skrzypcowy C-dur, |
|
00:10:20 |
Accardo Salvatore – skrzypce |
English Chamber Orchestra – |
– Accardo Salvatore |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:00:50 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:02:19 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:01:35 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:01:35 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:05:23 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:04:25 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:01:11 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:02:31 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:03:08 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert D-dur na klawesyn, orkiestrę, |
2 oboje i 2 rogi, |
00:04:53 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert D-dur na klawesyn, orkiestrę, |
2 oboje i 2 rogi, |
00:07:23 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert D-dur na klawesyn, orkiestrę, |
2 oboje i 2 rogi, |
00:07:55 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino C-dur na klawesyn |
i orkiestrę, |
00:03:20 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento F-dur na klawesyn |
i orkiestrę, |
00:02:20 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:02:46 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:02:43 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino F-dur na klawesyn |
i orkiestrę, |
00:02:09 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento F-dur na klawesyn |
i orkiestrę, |
00:02:24 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino F-dur na klawesyn |
i orkiestrę, |
00:03:28 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento F-dur na klawesyn |
i orkiestrę, |
00:01:23 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:01:49 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:01:43 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:04:22 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert (Divertimento) na klawesyn |
i orkiestrę G-dur, |
00:02:01 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncertino F-dur na klawesyn |
i orkiestrę, |
00:04:53 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:03:34 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert C-dur na klawesyn i orkiestrę, |
|
00:04:55 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert C-dur na klawesyn i orkiestrę, |
|
00:06:01 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert G-dur na klawesyn i orkiestrę, |
|
00:07:41 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert G-dur na klawesyn i orkiestrę, |
|
00:07:14 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert G-dur na klawesyn i orkiestrę, |
|
00:04:26 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert F-dur na klawesyn i orkiestrę, |
|
00:06:58 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert F-dur na klawesyn i orkiestrę, |
|
00:08:16 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert F-dur na klawesyn i orkiestrę, |
|
00:03:59 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert C-dur na klawesyn i orkiestrę, |
|
00:09:39 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:02:27 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:01:44 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert (Divertimento) na klawesyn |
i orkiestrę G-dur, |
00:03:23 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:01:58 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Divertimento C-dur na klawesyn |
i orkiestrę, |
00:01:02 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
249 |
Koncert (Divertimento) na klawesyn |
i orkiestrę G-dur, |
00:03:42 |
Koopman Ton – klawesyn |
Musica Antiqua Amsterdam, |
Amsterdam Baroque Orchestra – |
| Haydn Joseph |
250 |
Missa brevis Sti. Joannis de Deo, |
|
00:02:32 |
Śpiewacy Vienna Boys Choir – sopran |
Boehm Josef – organy |
Wiener Sangerknaben, Wiener Dom-Orchestr – |
| Haydn Joseph |
250 |
Missa brevis Sti. Joannis de Deo, |
|
00:00:48 |
Śpiewacy Vienna Boys Choir – sopran |
Boehm Josef – organy |
Wiener Sangerknaben, Wiener Dom-Orchestr – |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:03:25 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:05:06 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część III: |
00:06:14 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:02:37 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Missa brevis Sti. Joannis de Deo, |
|
00:01:07 |
Śpiewacy Vienna Boys Choir – sopran |
Boehm Josef – organy |
Wiener Sangerknaben, Wiener Dom-Orchestr – |
| Haydn Joseph |
250 |
Missa brevis Sti. Joannis de Deo, |
|
00:05:29 |
Śpiewacy Vienna Boys Choir – sopran |
Boehm Josef – organy |
Wiener Sangerknaben, Wiener Dom-Orchestr – |
| Haydn Joseph |
250 |
Missa brevis Sti. Joannis de Deo, |
|
00:05:27 |
Śpiewacy Vienna Boys Choir – sopran |
Boehm Josef – organy |
Wiener Sangerknaben, Wiener Dom-Orchestr – |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:07:01 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:03:07 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:04:12 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:01:46 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:01:56 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:05:05 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:05:42 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:02:50 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:04:07 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część I: |
00:04:37 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część III: |
00:03:57 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:01:36 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Missa brevis Sti. Joannis de Deo, |
|
00:04:42 |
Śpiewacy Vienna Boys Choir – sopran |
Boehm Josef – organy |
Wiener Sangerknaben, Wiener Dom-Orchestr – |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część III: |
00:02:34 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część III: |
00:06:58 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część III: |
00:03:21 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część III: |
00:04:44 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:07:33 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:04:33 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:02:59 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:00:25 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:03:48 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:00:48 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:04:13 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część III: |
00:00:30 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
250 |
Stworzenie świata, |
Część II: |
00:03:27 |
Giebel Agnes – Gabriel / Ewa |
Kmentt Waldemar – Uriel |
Frick Gottlob – Rafael / Adam |
| Haydn Joseph |
251 |
Pory roku, |
|
02:13:52 |
Fischer-Dieskau Dietrich – baryton |
Mathis Edith – sopran |
Jerusalem Siegfried – tenor |
| Haydn Joseph |
345 |
Symfonia nr 73 D-dur, |
|
00:05:53 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 73 D-dur, |
|
00:04:39 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 73 D-dur, |
|
00:06:08 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 82 C-dur, |
|
00:07:45 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 82 C-dur, |
|
00:08:39 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 83 g-moll, |
|
00:04:25 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 83 g-moll, |
|
00:04:03 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 83 g-moll, |
|
00:10:05 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 82 C-dur, |
|
00:04:14 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 82 C-dur, |
|
00:05:52 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 83 g-moll, |
|
00:07:28 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
345 |
Symfonia nr 73 D-dur, |
|
00:07:47 |
Symphony Orchestra of the Silesian Philharmonic – |
– Stryja Karol |
|
| Haydn Joseph |
346 |
Symfonia nr 96 D-dur, |
|
00:03:56 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia nr 95 c-moll, |
|
00:03:50 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia nr 96 D-dur, |
|
00:05:42 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia nr 96 D-dur, |
|
00:07:29 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia nr 96 D-dur, |
|
00:07:48 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia nr 95 c-moll, |
|
00:05:03 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia nr 95 c-moll, |
|
00:05:11 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia nr 95 c-moll, |
|
00:05:36 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia G-dur, |
HV I/92 |
00:05:26 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia G-dur, |
HV I/92 |
00:06:07 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia G-dur, |
HV I/92 |
00:07:09 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph |
346 |
Symfonia G-dur, |
HV I/92 |
00:07:38 |
Austrian Radio Symphony – Horvat Milan |
|
|
| Haydn Joseph & Michael |
661 |
Organ Concertos |
|
00:50:19 |
Karol Gołębiowski |
|
|
| Haydn, Haendel |
662 |
Koncerty organowe |
|
|
Wiktor Zygmunt Łyjak, Igor Pylatiuk, Lwowska Orgiestra Kameralna |
|
|
| Holland Jan David |
572 |
Uwertura |
|
00:04:44 |
Warszawska Orkiestra Kameralna |
dyr. Marek Sewen |
|
| Holst Gustav |
224 |
The Hymn of Jesus, |
op. 37 |
00:21:49 |
BBC Chorus |
BBC Symphony Orchestra – |
– Sir Boult Adrian |
| Holst Gustav |
592 |
The Planets op.32 |
|
00:45:59 |
Boston Symphony Orchestra- W.Steinberg |
New England Conservatory Chorus |
|
| Honegger Arthur |
359 |
Symfonia nr 5 Die tre re, |
|
00:07:55 |
Orchestre Lamoureux, Paris – Markevitch Igor |
|
|
| Honegger Arthur |
359 |
Symfonia nr 5 Die tre re, |
|
00:09:07 |
Orchestre Lamoureux, Paris – Markevitch Igor |
|
|
| Honegger Arthur |
359 |
Symfonia nr 5 Die tre re, |
|
00:05:40 |
Orchestre Lamoureux, Paris – Markevitch Igor |
|
|
| Honegger Artur |
589 |
Symfonia nr 2 (na smyczki i orkiestrę) |
|
00:25:14 |
Berliner Philharmoniker, Herbert von Karajan |
|
|
| Honegger Artur |
589 |
Symfonia nr 3 (Liturgiczna) |
|
00:33:15 |
Berliner Philharmoniker, Herbert von Karajan |
|
|
| Hummel Johann Nepomuk |
178 |
Koncert na trąbkę i orkiestrę |
Es-dur, |
00:09:32 |
Camerata Rhenania – |
– Gmur Hanspeter |
|
| Hummel Johann Nepomuk |
178 |
Koncert na trąbkę i orkiestrę |
Es-dur, |
00:04:21 |
Camerata Rhenania – |
– Gmur Hanspeter |
|
| Hummel Johann Nepomuk |
178 |
Koncert na trąbkę i orkiestrę |
Es-dur, |
00:03:45 |
Camerata Rhenania – |
– Gmur Hanspeter |
|
| Humperdinck Engelbert |
47 |
Jaś i Małgosia – uwertura |
|
00:08:04 |
Orkiestra Symfoniczna |
|
|
| Hymn Państwowy |
568 |
Hymn Państwowy |
|
00:00:36 |
Chór a’capella Instytutu Wychowania Muzycznego |
WSP w Kielcach |
|
| Isac Hainrich (1450-1517) |
531 |
Motet – ” Nisi tu domine custodieris ” (s) |
|
00:01:47 |
Rene Clementic – clavicytherium |
|
|
| Jabłoński Henryk (s) |
506 |
Suita na klarnet , wiolonczelę i fortepian |
|
00:09:55 |
Gdańskie Trio |
|
|
| Jacopo da Bologna |
540 |
madrygał – ” Aquilla altera ” (s) |
|
00:03:10 |
Alla Francesca – voc.and instr.ensemble |
|
|
| Janacek Leos |
252 |
Tańce latynowskie, |
|
00:05:52 |
London Philharmonic Orchestra – |
– Huybrechts Francois |
|
| Janacek Leos |
252 |
Rapsodia na orkiestrę, |
|
00:05:29 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Tańce latynowskie, |
|
00:03:13 |
London Philharmonic Orchestra – |
– Huybrechts Francois |
|
| Janacek Leos |
252 |
Suita na orkiestrę, |
|
00:03:43 |
Los Angeles Chamber Orchestra – |
– Marriner Neville |
|
| Janacek Leos |
252 |
Suita na orkiestrę, |
|
00:04:41 |
Los Angeles Chamber Orchestra – |
– Marriner Neville |
|
| Janacek Leos |
252 |
Tańce latynowskie, |
|
00:01:58 |
London Philharmonic Orchestra – |
– Huybrechts Francois |
|
| Janacek Leos |
252 |
Tańce latynowskie, |
|
00:02:13 |
London Philharmonic Orchestra – |
– Huybrechts Francois |
|
| Janacek Leos |
252 |
Tańce latynowskie, |
|
00:02:26 |
London Philharmonic Orchestra – |
– Huybrechts Francois |
|
| Janacek Leos |
252 |
Suita na orkiestrę, |
|
00:02:41 |
Los Angeles Chamber Orchestra – |
– Marriner Neville |
|
| Janacek Leos |
252 |
Rapsodia na orkiestrę, |
|
00:09:00 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Suita na orkiestrę, |
|
00:03:12 |
Los Angeles Chamber Orchestra – |
– Marriner Neville |
|
| Janacek Leos |
252 |
Rapsodia na orkiestrę, |
|
00:08:51 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Sinfonietta, |
|
00:07:13 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Sinfonietta, |
|
00:03:02 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Sinfonietta, |
|
00:05:22 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Sinfonietta, |
|
00:06:10 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Sinfonietta, |
|
00:02:24 |
Filharmonia Wiedeńska – Sir Mackerras Charles |
|
|
| Janacek Leos |
252 |
Tańce latynowskie, |
|
00:06:32 |
London Philharmonic Orchestra – |
– Huybrechts Francois |
|
| Janacek Leos |
252 |
Kaprys, |
|
00:05:57 |
Crossley Paul – fortepian |
London Sinfonietta – Atherton David |
|
| Janacek Leos |
252 |
Concertino, |
|
00:04:24 |
London Symfonietta – Atherton David |
|
|
| Janacek Leos |
252 |
Concertino, |
|
00:03:40 |
London Symfonietta – Atherton David |
|
|
| Janacek Leos |
252 |
Concertino, |
|
00:03:28 |
London Symfonietta – Atherton David |
|
|
| Janacek Leos |
252 |
Concertino, |
|
00:05:59 |
London Symfonietta – Atherton David |
|
|
| Janacek Leos |
252 |
Suita na orkiestrę, |
|
00:01:22 |
Los Angeles Chamber Orchestra – |
– Marriner Neville |
|
| Janacek Leos |
252 |
Kaprys, |
|
00:03:33 |
Crossley Paul – fortepian |
London Sinfonietta – Atherton David |
|
| Janacek Leos |
252 |
Kaprys, |
|
00:04:56 |
Crossley Paul – fortepian |
London Sinfonietta – Atherton David |
|
| Janacek Leos |
252 |
Mladi, |
|
00:04:21 |
Bell Sebastian – flet/pikolo |
Craxton Janet – obój; Pay Antony – klarnet |
Harris Michael – klarnet basowy |
| Janacek Leos |
252 |
Mladi, |
|
00:03:41 |
Bell Sebastian – flet/pikolo |
Craxton Janet – obój; Pay Antony – klarnet |
Harris Michael – klarnet basowy |
| Janacek Leos |
252 |
Mladi, |
|
00:05:04 |
Bell Sebastian – flet/pikolo |
Craxton Janet – obój; Pay Antony – klarnet |
Harris Michael – klarnet basowy |
| Janacek Leos |
252 |
Mladi, |
|
00:03:45 |
Bell Sebastian – flet/pikolo |
Craxton Janet – obój; Pay Antony – klarnet |
Harris Michael – klarnet basowy |
| Janacek Leos |
252 |
Suita na orkiestrę, |
|
00:03:19 |
Los Angeles Chamber Orchestra – |
– Marriner Neville |
|
| Janacek Leos |
252 |
Kaprys, |
|
00:06:22 |
Crossley Paul – fortepian |
London Sinfonietta – Atherton David |
|
| Janaczek Leos |
601 |
Pieśni |
|
00:17:41 |
Monika Kolasa -Hladikowa -mezzozopran |
Monika Kolasa -Hladikowa -mezzozopran |
|
| Janiewicz Feliks |
572 |
Divertimento |
|
00:12:04 |
Warszawska Orkiestra Kameralna |
dyr. Marek Sewen |
|
| Jarzębski Adam |
562 |
Canzoni e concerti – e due,tre e quatro voci |
cum basso continuo (1627) |
01:44:07 |
Lucy van Dael violino,art director |
M.Troost-vn2 , J.Guittart-vn3 |
B.Dickey-cornetto,A.Grazzi-fagotto |
| Jarzębski Adam (s) |
505 |
Canzona quarta |
|
00:02:27 |
Warszawska Orkiestra Barokowa |
” Concerto Avenna „ |
kier. Andrzej Mysiński |
| Jarzębski Adam (s) |
505 |
Canzona seconda |
|
00:02:04 |
Warszawska Orkiestra Barokowa |
” Concerto Avenna „ |
kier. Andrzej Mysiński |
| Jarzębski Adam (s) |
505 |
Chromatica ( concerto a 3 ) |
|
00:04:55 |
Warszawska Orkiestra Barokowa |
” Concerto Avenna „ |
kier. Andrzej Mysiński |
| Jarzębski Adam (s) |
505 |
Tamburetta |
|
00:02:30 |
Warszawska Orkiestra Barokowa |
” Concerto Avenna „ |
kier. Andrzej Mysiński |
| Jasquin des Prez |
531 |
Pieśń franc. ” Plus mille regres ” (s) |
|
00:03:02 |
Rene Clementic – clavicytherium |
|
|
| Jasquin des Prez |
531 |
Motet – ” Tribulacio ” (s) |
|
00:02:43 |
Rene Clementic – clavicytherium |
|
|
| Jasquin des Prez |
531 |
Motet – ” Stabat Mater I ” (s) |
|
00:03:59 |
Rene Clementic – clavicytherium |
|
|
| Jasquin des Prez |
531 |
Motet – ” Stabat Mater II ” (s) |
|
00:04:02 |
Rene Clementic – clavicytherium |
|
|
| Josquin des Pres |
536 |
La Spagna – basse danse (s) |
|
00:03:06 |
Obsidienne – enseble vocal ,dir.E.Bonnardot |
Consord de flutes a bec – dir.P .Hamon |
|
| Joseph & Michael Haydn |
678 |
Organ Concertos |
|
0:40:03 |
Karol Gołębiowski |
Marcin Murawski |
Bohdan Boguszewski |
| Joseph & Michael Haydn |
692 |
Organ Concertos |
|
00:50:09 |
Karol Gołębiowski |
Marcin Murawski |
Bohdan Boguszewski |
| Karcz Juliusz |
598 |
Toccata for two accordions |
|
00:03:59 |
J.Mądrawski , Elwira Sliwkiewicz-Cisak -akor. |
|
|
| Karłowicz M. |
580 |
Mów do mnie jeszcze |
op.3 nr 1 |
00:02:04 |
Raszkiewicz Beata – sopran |
Mizera Marek – fortepian |
|
| Karłowicz Mieczysław |
564 |
Smutna opowieść |
|
00:10:12 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
564 |
Epizod na maskaradzie |
|
00:23:18 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
564 |
Rapsodia Litewska |
|
00:17:03 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
564 |
Odwieczne pieśni – Pieśń o miłości i śmierci |
|
00:11:10 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
564 |
Odwieczne pieśni – Pieśń o wszechbycie |
|
00:06:03 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
564 |
Stanisław i Anna Oświecimowie |
|
00:23:19 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
564 |
Powracające fale |
|
00:24:57 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
564 |
Odwieczne pieśni – Pieśń o wiekuistej tęsknocie |
|
00:11:26 |
Warszawska Orkiestra Symfoniczna |
dyr.Jacek Kasprzyk |
|
| Karłowicz Mieczysław |
585 |
Koncert skrzypcowy A-dur op.8 |
|
00:29:34 |
Pławner Piotr – skrzypce |
Ork. Symf. Filh. Zielonogórskiej |
dyr. Czesław Grabowski |
| Karłowicz Mieczysław |
587 |
Pieśni |
Smutną jest dusza moja op.1 nr 6 |
00:02:16 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Rdzawe liście strąca z drzew |
00:01:04 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Z erotyków op.3 nr 2 |
00:01:10 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Nie płacz nade mną op.3 nr 7 |
00:02:00 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Idzie na pola op.3 nr 3 |
00:01:11 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Na śniegu op.1 nr 3 |
00:02:09 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Po szerokim morzu op.3 nr 9 |
00:02:13 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Skąd pierwsze gwiazdy op.1 nr 2 |
00:01:31 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Zaczarowana królewna op.3 nr 10 |
00:02:56 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Karłowicz Mieczysław |
587 |
Pieśni |
Czasem, gdy długo na pół sennie marzę |
00:02:19 |
Kryger Urszula – mezzosopran |
Jankowska-Borzykowska Katarzyna -fortepian |
|
| Kilar Wojciech |
503 |
Orawa |
|
00:09:32 |
Orkiestra Kameralna Amadeus |
dyr. A.Duczmal |
|
| Kisielewski S. |
580 |
Prośba o wyspy szczęśliwe |
nr 4 |
00:02:55 |
Raszkiewicz Beata – sopran |
Mizera Marek – fortepian |
|
| Kodaly Zoltan |
110 |
Adagio |
|
00:07:47 |
Grumiaux Arthur – skrzypce |
Hajdu Istvan – fortepian |
|
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 1 : |
00:02:24 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
The Peacock, |
|
00:02:56 |
The Chorus of the London Symphony Orchestra – |
– Oldham Arthur |
|
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 3 : |
00:01:07 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 3 : |
00:01:19 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 3 : |
00:04:27 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 4 : |
00:05:12 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 3 : |
00:02:21 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 1 : |
00:02:20 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 3 : |
00:01:33 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
|
00:05:23 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 4 : |
00:03:19 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 4 : |
00:02:18 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |
| Kodaly Zoltan |
253 |
Hary Janson, |
Akt 4 : |
00:03:41 |
Ustinov Peter – Narrator; Komlossy Erzsebet- Orzse |
Palocz Laszlo – Marczi; Melis Gyorgy – Hary/Nap. |
Bende Zsolt – Bombazine; Szonyi Olga – Marie-Luise |